Shreedar Phadke, Ranjana Joglekar's 'Swami Samarth Majhe Aai' had a release date set for December 15, 2000. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 6 in the song's album "Shree Swami Samartha Jai Jai Swami Samartha". In this album, this song's track order is #4. Furthermore, we believe that the track originated from India. The popularity of Swami Samarth Majhe Aai is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Swami Samarth Majhe Aai by Shreedar Phadke, Ranjana Joglekar having a BPM of 177 with a half-time of 88 BPM and a double-time of 354 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 1/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Maalik Mere Hoton Pe Sab Ke | K. J. Yesudas | F Major | 7 | 7B | 80 BPM | ||
| Aajobani Keli Jadoo | Ravindra Sathe, Ranjana Joglekar, Mugdha Vaishampayan, Udaykumar Upadhyay, Tejas Chandurkar, Akansha Oak, Ojas Chandurkar, Jue Joglekar | D♭ Major | 7 | 3B | 102 BPM | ||
| O Re Babuaa | Jaspal Singh | B Minor | 7 | 10A | 87 BPM | ||
| Ab Maloom Hua | Pankaj Udhas | F Minor | 4 | 4A | 115 BPM | ||
| Ek Walaleli Kadi | Anirudh.D.Vankar | G Major | 1 | 9B | 150 BPM | ||
| O Tui Mon Kandali | Purnima Mandi | E Minor | 9 | 9A | 128 BPM | ||
| Dheere Dheere Kholungi Main | Alisha Chinai, Shakti Kapoor | G Minor | 8 | 6A | 119 BPM | ||
| Jot Se Jot Jagake Chalo | Mukesh, Laxmikant–Pyarelal | D Major | 4 | 10B | 62 BPM | ||
| Kahan Jate Ho Ruk Jaao - Dulha Bikta Hai / Soundtrack Version | Anwar, Meena Patki | F♯ Major | 3 | 2B | 109 BPM | ||
| Chalna Hai Tera Kaam - 1 | Bappi Lahiri | G Minor | 2 | 6A | 140 BPM | ||
| Tu Hukumachi Rani Mi | Tyagraj Khadilkar, Vinod Rathod, Ranjana Joglekar, Pratima Rao, Ravindra Bijur, Vaijayanti Limye | C Minor | 8 | 5A | 106 BPM | ||
| Abhi Toh Main | Anupam Kher, Ajmed Mirza | D Minor | 8 | 7A | 131 BPM | ||
| Hatadiye Kem Revase | Hari Bharwad | G Minor | 5 | 6A | 126 BPM | ||
| तुझा उपकारा जगी तोड नाही | Mahesh Hiremath | E Major | 6 | 12B | 95 BPM | ||
| Mangav Talukyat | Sanchita Morajkar | G Minor | 6 | 6A | 82 BPM | ||
| Chandawa Chandanyaraatila | Ranjana Joglekar | F♯ Major | 4 | 2B | 81 BPM | ||
| Teri Ban Jayegi | Piyusha-Kailash Anuj | A Minor | 5 | 8A | 150 BPM | ||
| Shiv Jayanti Phir Hai Aai | Brahma Kumari | G Minor | 5 | 6A | 78 BPM | ||
| Gela Hari Kunya Gava | Prahlad Shinde | B Major | 7 | 1B | 87 BPM | ||
| Nighale Gehun Matka Ga | Aparna Meyekar | A♭ Minor | 7 | 1A | 136 BPM | ||
| Dheeraj Ki Devi Hai Sone Chali (Sad) | Nitin Mukesh | G Minor | 3 | 6A | 170 BPM | ||
| Tu Man Ki Ati Bhori | Chandrani Mukherjee, Ravindra Jain | D Major | 2 | 10B | 133 BPM | ||
| Mandap Ropan-Maro Mandavdo | Lalita Ghodadra | F Minor | 7 | 4A | 164 BPM | ||
| Jhijhiya | Rashmi | F♯ Minor | 8 | 11A | 111 BPM | ||
| Duja Koi Roye | Mohammed Aziz, Laxmikant–Pyarelal | D♭ Major | 4 | 3B | 116 BPM |