"Taking Sides" by Brian Tyler had its release date on January 1, 2007. This song appears to be safe for all ages as it is not explicit. The song is number 7 out of 21 in Aliens Vs. Predator: Requiem (Original Motion Picture Soundtrack) by Brian Tyler. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Taking Sides is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Taking Sides by Brian Tyler is Vivace (lively and fast), since this song has a tempo of 174 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 1/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bumblebee | Steve Jablonsky | D Minor | 2 | 7A | 152 BPM | ||
| TMNT March | Brian Tyler | C Major | 5 | 8B | 128 BPM | ||
| Portals | Alan Silvestri | G Major | 5 | 9B | 93 BPM | ||
| Midway Main Theme | Thomas Wander, Harald Kloser | G Major | 1 | 9B | 175 BPM | ||
| Secret Invasion Main Theme (EPIC VERSION) | Ayhan Music | B♭ Minor | 3 | 3A | 105 BPM | ||
| Find Me When You Wake Up | Christophe Beck | D♭ Major | 3 | 3B | 103 BPM | ||
| Aloy's Theme - Forbidden West (feat. Julie Elven) | Joris de Man, Julie Elven | A Minor | 3 | 8A | 120 BPM | ||
| Atlantis of the Sands | Greg Edmonson | D Major | 5 | 10B | 141 BPM | ||
| Naru's Way | Sarah Schachner | A Minor | 4 | 8A | 99 BPM | ||
| Driving with the Top Down - From "Iron Man" | London Music Works, The City of Prague Philharmonic Orchestra | G Minor | 7 | 6A | 110 BPM | ||
| The Four Horsemen | Johan Söderqvist, Patrik Andrén | E♭ Minor | 4 | 2A | 110 BPM | ||
| I Am The Doctor | Murray Gold | B Major | 2 | 1B | 61 BPM | ||
| A Good Man? (Twelve’s Theme) | Murray Gold | D Minor | 5 | 7A | 80 BPM | ||
| The Ring Goes South | Howard Shore | A Minor | 1 | 8A | 80 BPM | ||
| The Ice Road | Max Aruj | D Minor | 4 | 7A | 90 BPM | ||
| Destiny | Marc Streitenfeld | A Minor | 2 | 8A | 144 BPM | ||
| Sea Of Sand | Harald Kloser, Thomas Wander | D♭ Major | 4 | 3B | 82 BPM | ||
| Lords Mobile: Champion's Overture | Klaus Badelt, London Symphony Orchestra | E Minor | 5 | 9A | 80 BPM | ||
| Overture - From "TRON: Legacy"/Score | Daft Punk | D♭ Major | 1 | 3B | 73 BPM | ||
| Fight Club | Lorne Balfe, Assassin's Creed | C Minor | 5 | 5A | 123 BPM | ||
| The Fight with Death | Heitor Pereira | B Minor | 5 | 10A | 136 BPM | ||
| The Majestic Tale (Of A Madman In A Box) | Murray Gold | D Major | 6 | 10B | 104 BPM | ||
| Backfire - From “Spectre” Soundtrack | Thomas Newman | C Minor | 5 | 5A | 146 BPM | ||
| Moon Knight | Hesham Nazih | E Minor | 0 | 9A | 65 BPM | ||
| So Say We All | Audiomachine | B♭ Major | 7 | 6B | 91 BPM |