Maxwell's ' "...Til the Cops Come Knockin' - Cut" was released on its scheduled release date, April 2, 1996. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in ...Til The Cops Come Knockin' - The Opus/The Urban Theme, so we believe that "...Til the Cops Come Knockin' - Cut" is a single. Based on our statistics, ...Til the Cops Come Knockin' - Cut's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of ...Til the Cops Come Knockin' - Cut by Maxwell is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Come Inside | Intro | E Minor | 4 | 9A | 136 BPM | ||
| Backtight | Jaheim | E Major | 5 | 12B | 77 BPM | ||
| Love Saw It | Karyn White | F♯ Minor | 4 | 11A | 93 BPM | ||
| Let's Chill - Extended Remix Version | Guy | D♭ Minor | 8 | 12A | 110 BPM | ||
| Until The End Of Time | Aaron Hall | B Minor | 7 | 10A | 132 BPM | ||
| Anniversary | Tony! Toni! Toné! | F♯ Major | 4 | 2B | 89 BPM | ||
| Ascension (Don't Ever Wonder) - Cut | Maxwell | C Major | 4 | 8B | 96 BPM | ||
| Something In The Past | Jesse Powell | F♯ Minor | 5 | 11A | 122 BPM | ||
| Everybody's Hustlin' | Kindred The Family Soul | G Major | 5 | 9B | 80 BPM | ||
| It's Alright Now | Rahsaan Patterson | G Major | 5 | 9B | 80 BPM | ||
| Smilin' | Levert | A Major | 4 | 11B | 82 BPM | ||
| I Wanna Luv U | Donell Jones | B♭ Major | 3 | 6B | 134 BPM | ||
| I Need You | Kindred The Family Soul | A♭ Major | 5 | 4B | 87 BPM | ||
| Brown Liquor | Slique Jay Adams | D Major | 7 | 10B | 80 BPM | ||
| My First Love | Avant, KeKe Wyatt | B Minor | 4 | 10A | 126 BPM | ||
| The Lady Suite - Live from MTV Unplugged, Brooklyn, NY - May 1997 | Maxwell | D♭ Minor | 5 | 12A | 100 BPM | ||
| All The Places (I Will Kiss You) | Aaron Hall | C Minor | 4 | 5A | 136 BPM | ||
| The One For Me | Rahsaan Patterson | D♭ Major | 5 | 3B | 96 BPM | ||
| You, Me and He - Polygamy Mix | Mtume, Reggie Thompson | F Major | 4 | 7B | 72 BPM | ||
| Still in Love | Troop | F♯ Major | 4 | 2B | 135 BPM | ||
| Another Round | Slique Jay Adams | B Major | 4 | 1B | 95 BPM | ||
| If You Play Your Cards Right | Syleena Johnson | B♭ Minor | 6 | 3A | 150 BPM | ||
| I Love It Papi (Aye Aye Aye) | Al B. Sure! | F Minor | 4 | 4A | 71 BPM | ||
| Fortunate | Maxwell | B♭ Minor | 4 | 3A | 126 BPM | ||
| Ways to Treat a Woman | H-Town | C Major | 3 | 8B | 130 BPM |