Track 307 - Das Spiel des Laren - Perry Rhodan - Silber Edition 87 by H.G. Francis, Ernst Vlcek, Clark Darlton, Andreas Laurenz Maier Song Details

H.G. Francis, Ernst Vlcek, Clark Darlton, Andreas Laurenz Maier's 'Track 307 - Das Spiel des Laren - Perry Rhodan - Silber Edition 87' had a release date set for August 6, 2014. The duration of This song is about 3 minutes long, at 3:04. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 63 out of 367 in Das Spiel des Laren [Perry Rhodan - Silber Edition 87 (Ungekürzt)] by Perry Rhodan Silber Edition, Perry Rhodan. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Track 307 - Das Spiel des Laren - Perry Rhodan - Silber Edition 87 is currently not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.

BPM and Tempo

The tempo marking of Track 307 - Das Spiel des Laren - Perry Rhodan - Silber Edition 87 by H.G. Francis, Ernst Vlcek, Clark Darlton, Andreas Laurenz Maier is Vivace (lively and fast), since this song has a tempo of 164 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.

Music Key

This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 1%
Loudness: -21.364 dB
Acousticness: 74%
Danceability: 63%
Energy: 17%
Instrumentalness: 0%
Liveness: 12%
Loudness: 64%
Speechiness: 97%
Valence: 34%

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