Isaac Larson's 'Twentieth Hour' had a release date set for September 27, 2013. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Isaac Larson's "Headlines and Hearsay" album is number 11 out of 11. On top of that, Sweden appears to be the country where this track was created. Twentieth Hour is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Twentieth Hour by Isaac Larson to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Time to Rush | Reynard Seidel | D♭ Minor | 5 | 12A | 86 BPM | ||
| Let Me Explain | David Reichelt | E Minor | 5 | 9A | 92 BPM | ||
| Falling Sunlight | Luca Ferraro | C Major | 2 | 8B | 183 BPM | ||
| Datos Anomalos | Noches Eternas | B Minor | 4 | 10A | 105 BPM | ||
| Thrilling Chase | Bonnie Grace | B Minor | 8 | 10A | 109 BPM | ||
| Hog Chase Part 1 | John Powell | A♭ Major | 7 | 4B | 121 BPM | ||
| Identify | Or Chausha | D Major | 3 | 10B | 80 BPM | ||
| Barbosa Chillin | Torin Borrowdale | A Major | 2 | 11B | 81 BPM | ||
| Halcyon Rush | Cosmic Drift | B Minor | 4 | 10A | 120 BPM | ||
| Breathe it in Deep | Hampus Naeselius | B Minor | 8 | 10A | 101 BPM | ||
| Ticking Clocks | Universal Production Music | B Minor | 3 | 10A | 156 BPM | ||
| Backfire | Danny McCarthy, Marlene McCarthy | B♭ Minor | 6 | 3A | 168 BPM | ||
| Welcome To the Eye | Brian Tyler | C Major | 4 | 8B | 100 BPM | ||
| Why Even Bother | Isaac Larson | C Major | 1 | 8B | 87 BPM | ||
| Calm and ready | Sonorique | C Major | 6 | 8B | 120 BPM | ||
| Floating Variables | Isaac Larson | C Major | 1 | 8B | 87 BPM | ||
| Extreme Situation | Punsky | B♭ Major | 5 | 6B | 85 BPM | ||
| Opening | Brian Tyler | E Minor | 5 | 9A | 92 BPM | ||
| Into the Beyond | Christoffer Moe Ditlevsen | F Minor | 5 | 4A | 97 BPM | ||
| Flames of War | Ihor Vitsinskyy | A♭ Major | 7 | 4B | 84 BPM | ||
| Sneaking Into the Kitchen | Arthur Benson | F Major | 4 | 7B | 130 BPM | ||
| Granny Dance | Scoobadive | A Minor | 4 | 8A | 138 BPM | ||
| Rise of the Titans End Credits | The Crystal Method | C Major | 7 | 8B | 110 BPM | ||
| Pulse of Rookburgh | Phantasialand | F Minor | 6 | 4A | 117 BPM | ||
| The Chase | Soundridemusic | E Minor | 5 | 9A | 119 BPM |