On August 12, 2005, the song "Igiri Nandini" was released by S. P. Balasubrahmanyam. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 9 in Amruthavarshini Sri Chamundeshwari by S. P. Balasubrahmanyam. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Igiri Nandini's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Igiri Nandini by S. P. Balasubrahmanyam is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hittu Maade Soppu Maade | Appagere Thimmaraju, Nanditha | A♭ Major | 4 | 4B | 163 BPM | ||
| Irumudi Padi | Narashima Naik | A Minor | 8 | 8A | 93 BPM | ||
| Ensavi Ensavi | Sheshagiridas Raichur | F Major | 7 | 7B | 130 BPM | ||
| Iduve Divya | Narashimha Nayak | F Major | 6 | 7B | 98 BPM | ||
| Sampige Maradha | B.K. Sumitra, R.N. Jayagopal | C Major | 5 | 8B | 123 BPM | ||
| Sundari Rangana Tandu | Raichur Sheshagiridasaru | E Minor | 8 | 9A | 96 BPM | ||
| Iagiri Nandini Sthothra | Sujatha Dutt, Sunitha Prakash | E Minor | 6 | 9A | 141 BPM | ||
| Kateelu Kshetrada | Manjula Gururaj, B.K. Sumitra, H. R. Krishnamurthy, K.S. Surekha, B. R. Chaya, Nanditha, Soumya | C Major | 5 | 8B | 91 BPM | ||
| Vishveshwaraya | Nihal | F♯ Minor | 6 | 11A | 142 BPM | ||
| Sri Dattatreya Prarthana Chathuskam | Bombay Sisters | F♯ Major | 4 | 2B | 132 BPM | ||
| Endendu Ninna Paadave | Sheshagiridas Raichur | A Major | 6 | 11B | 98 BPM | ||
| Kunguma Archanai | Bombay Saradha | C Major | 3 | 8B | 111 BPM | ||
| Muddu Gopala Baludu | Gayatri | D Major | 3 | 10B | 157 BPM | ||
| Jaya Ganapa Gana Adipa | Narasimhanayak Puttur, B. R. Chaya, K.S. Surekha | E♭ Minor | 4 | 2A | 94 BPM | ||
| Krishnamurthy | Purandara Dasara Bhakta Bandugalu | D♭ Minor | 7 | 12A | 174 BPM | ||
| Yenidu Hosa Hurusha | C. Ashwath | E Minor | 8 | 9A | 100 BPM | ||
| Needu Shiva | Mahanya Guru Patil | B♭ Major | 5 | 6B | 97 BPM | ||
| Gadhyam | Somayajulu | F Major | 7 | 7B | 111 BPM | ||
| Thappugalella Pariharisuva | Anantha Kulkarni | D♭ Major | 4 | 3B | 129 BPM | ||
| Ithadokade | G Balakrishna Prasad | F Major | 7 | 7B | 130 BPM | ||
| Kaliyuga Vaikuntapuri | S. P. Balasubrahmanyam, Srinidhi, Ramya Behara, M. M. Keeravaani, Vedavyasa | E♭ Major | 6 | 5B | 162 BPM | ||
| Yedukondala Swamy | Pradeep, Pondhuri, Sivaprasad | G Major | 5 | 9B | 133 BPM | ||
| Sobana Venni | M. S. Ravigowda, B. Jayashree, Nandita | E Major | 6 | 12B | 114 BPM | ||
| Mysorenaga Chamundiyagi | Sujatha Dutt | D Major | 6 | 10B | 100 BPM | ||
| Kumbhasiya Ganapathiyu | Shashidhar Kote, K.S. Surekha | D Minor | 5 | 7A | 135 BPM |