"Sleepdriver" by Martin Stig Andersen had its release date on February 18, 2004. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Since Sleepdriver only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Turks and Caicos Islands. Based on our statistics, Sleepdriver's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sleepdriver by Martin Stig Andersen having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Safehouse | Sascha Dikiciyan | F Major | 2 | 7B | 74 BPM | ||
| The Foothills | e.hillman | C Minor | 1 | 5A | 105 BPM | ||
| Blood Cells of the Salish Sea, Pt. 1 | Julien Verschooris | F♯ Minor | 0 | 11A | 65 BPM | ||
| Nothing Behind This Door | Nobey One | B Major | 3 | 1B | 108 BPM | ||
| Mars Maven | Anže Rozman, Andrew Christie | D♭ Minor | 1 | 12A | 78 BPM | ||
| Transfiguration | Laryssa Okada | D♭ Major | 1 | 3B | 163 BPM | ||
| The Sigils of Our Name | Damjan Mravunac | E Minor | 1 | 9A | 72 BPM | ||
| Bus Journey | Clark | B Minor | 3 | 10A | 184 BPM | ||
| Counterfeit | Martin Stig Andersen | A♭ Major | 1 | 4B | 91 BPM | ||
| Astraea | Laryssa Okada | A♭ Major | 2 | 4B | 76 BPM | ||
| Unknown System x390625 | Paul Weir | A Minor | 2 | 8A | 72 BPM | ||
| To Live is to Change | Tales of the Forgotten, Bill Hemstapat, Dylan C. Jones | B♭ Major | 1 | 6B | 58 BPM | ||
| Space Aliens | Martin Stig Andersen | C Major | 2 | 8B | 87 BPM | ||
| Green People | Artur Kordas | D Major | 1 | 10B | 111 BPM | ||
| Walking the Whaleyard | Hudson Bikichky | F♯ Major | 2 | 2B | 94 BPM | ||
| Dark Technology | Ambience Mastery | D Major | 1 | 10B | 134 BPM | ||
| Boys' Fort | Martin Stig Andersen | B Minor | 1 | 10A | 141 BPM | ||
| I Am Become Death | Ben Salisbury, Geoff Barrow | B♭ Minor | 0 | 3A | 132 BPM | ||
| Morgana | Movlan Turabov, Moklan | F♯ Minor | 1 | 11A | 150 BPM | ||
| The Night Seemed Endless and Fraught With Peril | Joel Bille, Bortre Rymden | B♭ Major | 2 | 6B | 90 BPM | ||
| Nexus | Paul Weir | D Major | 2 | 10B | 58 BPM | ||
| Flowers | Grant Graham | E Minor | 5 | 9A | 68 BPM | ||
| Call | Mikołaj Kurpios | E♭ Major | 2 | 5B | 136 BPM | ||
| Menu | Martin Stig Andersen | D Minor | 0 | 7A | 140 BPM | ||
| Lichen | Martin Stig Andersen | E Minor | 5 | 9A | 120 BPM |