Emilio Kauderer's 'Bored At the Bar' had a release date set for 2015. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 26 in the song's album "Underdogs (Original Motion Picture Soundtrack)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Based on our statistics, Bored At the Bar's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Bored At the Bar by Emilio Kauderer having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Promise | Debbie Wiseman | D Minor | 0 | 7A | 77 BPM | ||
| Noon Without Direction | Roven Sil | A Minor | 2 | 8A | 108 BPM | ||
| Main Titles | Alex Heffes | D Minor | 1 | 7A | 110 BPM | ||
| Conor Despierta / Títulos de Inicio | Fernando Velázquez | B♭ Major | 1 | 6B | 113 BPM | ||
| On The Bench - Extended Version | Craig Armstrong, Budapest Art Orchestra, Peter Pejtsik, Steve Jones, Katalin Sarkady | C Major | 4 | 8B | 67 BPM | ||
| End Title (You Are Karen) | John Barry | C Major | 2 | 8B | 52 BPM | ||
| What A Wonderful World (Strings) | Emeka Onuoha | A Minor | 2 | 8A | 108 BPM | ||
| Night Train to Lisbon | Annette Focks | D Minor | 1 | 7A | 60 BPM | ||
| The Train Station | Marcelo Zarvos | E♭ Major | 0 | 5B | 56 BPM | ||
| El faro de las orcas | Pascal Gaigne | E Major | 2 | 12B | 84 BPM | ||
| Still Life | Elliot Goldenthal | G Minor | 0 | 6A | 74 BPM | ||
| Quiebre | Alejandro Kauderer, Emilio Kauderer | C Minor | 1 | 5A | 140 BPM | ||
| A Letter Unsent | Crazy Alchemist | A Minor | 2 | 8A | 108 BPM | ||
| The Lion Woman | Uno Helmersson | C Minor | 3 | 5A | 100 BPM | ||
| Adriano and Paolas Theme | Paolo Vivaldi | A Minor | 4 | 8A | 108 BPM | ||
| Beethoven: Epilogue ( Beethoven Piano Concerto no 5 "Emperor" -II ) | Ludwig van Beethoven, Terry Davies, Members Of The London Symphony Orchestra | B Major | 0 | 1B | 81 BPM | ||
| Table For Two | Abel Korzeniowski | B♭ Minor | 1 | 3A | 132 BPM | ||
| The Impossible End Titles | Fernando Velázquez | G Major | 1 | 9B | 179 BPM | ||
| Crossing Over | Orchestra Nocturna | E Minor | 2 | 9A | 115 BPM | ||
| Daydream | Arnau Bataller, Simon Smith | G Major | 0 | 9B | 69 BPM | ||
| Introducción | Alejandro Kauderer, Emilio Kauderer | A Minor | 4 | 8A | 90 BPM | ||
| Pieces Of A Woman | Howard Shore, Ludwig Wicki | D Minor | 1 | 7A | 132 BPM | ||
| Precious to Me | Rael Jones, Anthony Weeden | E Minor | 1 | 9A | 80 BPM | ||
| George's Waltz (II) | Shigeru Umebayashi | E Minor | 2 | 9A | 138 BPM | ||
| Waves of Solace | Celtroya | E Minor | 3 | 9A | 119 BPM |