On 1962, the song "Paloma Consentida (Con Fecha de Mañana)" was released by Irma Serrano. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Paloma Consentida (Con Fecha de Mañana)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Irma Serrano's "Irma Serrano" album is number 9 out of 12. On top of that, Mexico appears to be the country where this track was created. Based on our statistics, Paloma Consentida (Con Fecha de Mañana)'s popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Paloma Consentida (Con Fecha de Mañana) by Irma Serrano to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cruz de Olvido | María de Lourdes | F♯ Major | 3 | 2B | 100 BPM | ||
| La Palma | Flor Silvestre | A Major | 2 | 11B | 82 BPM | ||
| Como Le Hago | Juan Valentin | G Major | 3 | 9B | 86 BPM | ||
| Mil Cadenas | Queta Jiménez "La Prieta Linda" | G Major | 3 | 9B | 148 BPM | ||
| Paloma Sin Nido | Amalia Mendoza | A♭ Major | 2 | 4B | 83 BPM | ||
| El Quihubole | Beatriz Adriana | A Major | 3 | 11B | 121 BPM | ||
| El hijo desobediente (Corrido) | Charro Avitia, Mariachi De Pepe Villa, Public Domain | B♭ Major | 4 | 6B | 208 BPM | ||
| Canta Canta | Flor Silvestre | C Major | 4 | 8B | 128 BPM | ||
| Preso Me Llevan | Dueto Azteca | A Major | 3 | 11B | 176 BPM | ||
| Para Morir Iguales | Mercedes Castro | E Major | 2 | 12B | 86 BPM | ||
| La Tercera Carta | Las Atlixqueñas | B Major | 4 | 1B | 205 BPM | ||
| Cuatro Milpas | Las Jilguerillas | B♭ Major | 5 | 6B | 165 BPM | ||
| El Sube y Baja | Dora Maria | E♭ Major | 3 | 5B | 129 BPM | ||
| Qué Milagro Chaparrita | Hermanas Lima | A Major | 5 | 11B | 123 BPM | ||
| Soldado de Levita | Trio Tariacuri | G Major | 5 | 9B | 130 BPM | ||
| Atotonilco | Hermanas Huerta | C Major | 5 | 8B | 134 BPM | ||
| Te Vas o Te Quedas | Las Hermanas Núñez | B♭ Major | 4 | 6B | 158 BPM | ||
| Amores Con Falsete | Paco Michel | C Major | 2 | 8B | 152 BPM | ||
| Bonita y de Rancho - (Ranchera) | Dueto Alma Nortena | A♭ Major | 4 | 4B | 176 BPM | ||
| No Vuelvo a Amar | Lucha Moreno | D Major | 0 | 10B | 73 BPM | ||
| Las Cuatro Velas | Las Vecinas y Conjunto los Arqueros de la Vecindad | B Major | 4 | 1B | 176 BPM | ||
| En un rincón del alma - Remastered | Amalia Mendoza "La Tariacuri" | C Major | 2 | 8B | 174 BPM | ||
| Reconcilacion | Hermanas Núñez | E♭ Major | 4 | 5B | 92 BPM | ||
| Dos Palomas al Volar | Dueto Azteca | A♭ Major | 4 | 4B | 119 BPM | ||
| Los Camperos | Francisco "Charro" Avitia | G Major | 4 | 9B | 114 BPM |