Der Rosenkavalier, Op. 59, Act I: Introduction by Richard Strauss, Wiener Philharmoniker, Herbert von Karajan Song Details

"Der Rosenkavalier, Op. 59, Act I: Introduction" by Richard Strauss, Wiener Philharmoniker, Herbert von Karajan had its release date on January 1, 2011. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 33 in the song's album "Strauss: Der Rosenkavalier". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Der Rosenkavalier, Op. 59, Act I: Introduction is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Der Rosenkavalier, Op. 59, Act I: Introduction by Richard Strauss, Wiener Philharmoniker, Herbert von Karajan having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.

Music Key

This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 2%
Loudness: -26.84 dB
Acousticness: 97%
Danceability: 11%
Energy: 4%
Instrumentalness: 21%
Liveness: 18%
Loudness: 55%
Speechiness: 4%
Valence: 4%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Ma mère l'oye, Ballet, M. 62: XI. Apothéose. Le jardin féerique	Maurice Ravel, Berliner Philharmoniker, Pierre Boulez	C Major	0	8B	83 BPM
Piano Concerto No. 2 in A Major, S. 125: 2. Allegro moderato - Allegro deciso	Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa	A♭ Major	1	4B	78 BPM
Symphony No.8 In G, Op.88, B. 163: 2. Adagio	Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík	C Major	1	8B	80 BPM
Concertstück in F Major, Op. 86: II. Romanze. Ziemlich langsam	Robert Schumann, Robert Bonnevie, Mark Robbins, David C. Knapp, Scott Wilson, Seattle Symphony Orchestra, Gerard Schwarz	B♭ Major	0	6B	60 BPM
Aladdin Suite, Op. 34, FS 89: IV. Chinese Dance	Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen	E Minor	1	9A	96 BPM
Symphony No. 9 in E-Flat Major, Op. 70: II. Moderato	Dmitri Shostakovich, Berliner Philharmoniker, Kirill Petrenko	B♭ Minor	2	3A	122 BPM
Piano Concerto in G Major, M. 83: I. Allegramente	Maurice Ravel, Krystian Zimerman, The Cleveland Orchestra, Pierre Boulez	D Major	1	10B	129 BPM
Symphony No. 3 in E Flat Major, Op. 97 "Rhenish": II. Scherzo. Sehr mäßig	Robert Schumann, Staatskapelle Berlin, Daniel Barenboim	C Major	1	8B	81 BPM
La forza del destino: Overture (Sinfonia)	Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado	E Minor	2	9A	80 BPM
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio	Sergei Prokofiev, Yuri Temirkanov	E Minor	0	9A	99 BPM
Satie / Orch. Debussy: 3 Gymnopédies: No. 3, Lent et grave	Erik Satie, Sir Simon Rattle, Berliner Philharmoniker	A Minor	0	8A	82 BPM
D'un matin de printemps	Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic	C Major	1	8B	130 BPM
Requiem, Op. 48: IV. Sanctus	Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France	E♭ Major	1	5B	64 BPM
Also sprach Zarathustra, Op. 30: V. Das Grablied	Richard Strauss, Berliner Philharmoniker, Herbert von Karajan	F♯ Minor	1	11A	81 BPM
Strauss, R: 4 Letzte Lieder: No. 2, September	Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin	D Major	1	10B	70 BPM
I. Prélude. Andantino	César Franck, Jean-Pierre Armengaud	D Major	0	10B	66 BPM
Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto (Allegretto)	Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez	D Major	1	10B	73 BPM
Fauré: Élégie in C Minor, Op. 24	Gabriel Fauré, Jacqueline du Pré, Gerald Moore	A♭ Major	0	4B	56 BPM
Symphony No. 7 in E Minor: III. Scherzo. Schattenhaft – Trio	Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle	G Minor	0	6A	91 BPM
Tristan und Isolde, WWV 90: Prelude To Act I	Richard Wagner, Gewandhausorchester Leipzig, Andris Nelsons	A Minor	1	8A	79 BPM
Prelude: Allegro - Meno mosso - Alla breve (Allegro) - Adagio -	Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz	D Major	1	10B	74 BPM
Armida: Overture	Gioachino Rossini, Donato Renzetti, Orchestra Filarmonica Gioachino Rossini	D Major	1	10B	81 BPM
Khovanshchina: Overture (Prelude)	Modest Mussorgsky, Mariinsky Orchestra, Valery Gergiev	D♭ Major	0	3B	90 BPM
Ariadne auf Naxos / Prologue: "Ein Augenblick ist wenig"	Richard Strauss, Edita Gruberova, Julia Varady, Gewandhausorchester, Kurt Masur	E Major	1	12B	95 BPM