Re-Logic's ' "Overworld Day" was released on its scheduled release date, November 1, 2011. The duration of This song is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Overworld Day's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Terraria (Soundtrack)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Based on our statistics, Overworld Day's popularity is average in popularity right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Overworld Day by Re-Logic having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hue Shift | coda | C Minor | 8 | 5A | 186 BPM | ||
| Rigor Mormist (In-Game) | Laura Shigihara | A Major | 4 | 11B | 110 BPM | ||
| Journey's End - Credits | Scott Lloyd Shelly, Re-Logic | C Major | 6 | 8B | 140 BPM | ||
| Jetpack Joyride Main Theme | Halfbrick | A♭ Major | 9 | 4B | 123 BPM | ||
| Sanctuary Guardian (From “EarthBound”) | Kassil | C Major | 4 | 8B | 140 BPM | ||
| Evasive Target | Bjørn Lynne, Adam Skorupa | E Minor | 9 | 9A | 125 BPM | ||
| Crystal Peak | Christopher Larkin | E Minor | 5 | 9A | 120 BPM | ||
| Safe Zone | Alex Rehberg, Facepunch Studios | C Major | 5 | 8B | 140 BPM | ||
| The Simulation | Michael Shirt | F Major | 7 | 7B | 168 BPM | ||
| Airport Lounge | Kevin MacLeod | A♭ Major | 2 | 4B | 130 BPM | ||
| Collective Behavior | Orka Veer | B♭ Major | 6 | 6B | 81 BPM | ||
| Goblin Army | Re-Logic | E Minor | 8 | 9A | 100 BPM | ||
| Title Screen | Re-Logic | G Major | 2 | 9B | 100 BPM | ||
| The Hallow | Re-Logic | G Major | 3 | 9B | 132 BPM | ||
| Tires on Fire | coda | G Minor | 10 | 6A | 159 BPM | ||
| A Walk In the Woods | Halo, Martin O'Donnell, Michael Salvatori | D Major | 3 | 10B | 130 BPM | ||
| Cipher | Kevin MacLeod | A Major | 2 | 11B | 75 BPM | ||
| Salutations | Simon Chylinski | D Major | 2 | 10B | 135 BPM | ||
| The First Track | Felix Barbarino, Mathilde Hoffmann | D♭ Major | 3 | 3B | 120 BPM | ||
| Superstitious II | Rotch Gwylt | A Major | 5 | 11B | 130 BPM | ||
| Watery Graves (In-Game) | Laura Shigihara | G Minor | 5 | 6A | 107 BPM | ||
| Ultimate Battle (In-Game) | Laura Shigihara | A Minor | 9 | 8A | 120 BPM | ||
| Brise | Emile van Krieken | E♭ Major | 2 | 5B | 127 BPM | ||
| Medieval Theme | Christophe Héral | F Minor | 3 | 4A | 96 BPM | ||
| Beginning 2 | C418 | G Major | 1 | 9B | 75 BPM |