- BPM
- 82
- Key
- C Minor
- Camelot
- 5A
Improvisation on "Love Walked In" by George Gershwin, Wayne Marshall Song Details
"Improvisation on "Love Walked In"" by George Gershwin, Wayne Marshall had its release date on October 20, 1997. This song is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. The song is number 12 out of 17 in A Gershwin Songbook & Improvisations by George Gershwin, Wayne Marshall. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Improvisation on "Love Walked In" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Improvisation on "Love Walked In" by George Gershwin, Wayne Marshall is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -24.573 dB
- Acousticness
- 43%
- Danceability
- 18%
- Energy
- 14%
- Instrumentalness
- 79%
- Liveness
- 22%
- Loudness
- 59%
- Speechiness
- 4%
- Valence
- 10%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Symphony No. 1, Op. 9: III. Andante tranquillo | Samuel Barber, Leonard Slatkin, St. Louis Symphony | B♭ Major | 3 | 6B | 93 BPM | |
 | Theme and Variations, Op. 42 | Erich Wolfgang Korngold, John Wilson, Sinfonia Of London | B Major | 0 | 1B | 87 BPM | |
 | Serenade Lyrique | Edward Elgar, English Symphony Orchestra, William Boughton | E♭ Minor | 1 | 2A | 75 BPM | |
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 | Pleasant Moments: Ragtime Waltz | Scott Joplin, Alexander Peskanov | G Major | 1 | 9B | 63 BPM | |
 | Of Thee I Sing: Overture (Arr. D. Rose for Orchestra) | George Gershwin, Michael Tilson Thomas, Buffalo Philharmonic Orchestra | G Minor | 2 | 6A | 95 BPM | |
 | Automne | Cécile Chaminade, Eric Parkin | D♭ Major | 1 | 3B | 69 BPM | |
 | Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester | C Major | 1 | 8B | 96 BPM | |
 | Symphony No. 1 in E Minor: IV. Finale | Florence Beatrice Price, Fort Smith Symphony, John Jeter | C Major | 1 | 8B | 76 BPM | |
![Symphony No. 5 In C Sharp Minor: 1. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt) [Symphony No.5 in C sharp minor / Part 1] by Gustav Mahler, Wiener Philharmoniker, Pierre Boulez](https://i.scdn.co/image/ab67616d00001e025e6aa0e42f447f00063084c2) | Symphony No. 5 In C Sharp Minor: 1. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt) [Symphony No.5 in C sharp minor / Part 1] | Gustav Mahler, Wiener Philharmoniker, Pierre Boulez | D♭ Minor | 1 | 12A | 86 BPM | |
 | Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam) | Gustav Mahler, Gyeonggi Philharmonic Orchestra, Shi-Yeon Sung | F Major | 0 | 7B | 82 BPM | |
 | Fauré: Pavane, Op. 50 | Gabriel Fauré, San Francisco Symphony, Michael Tilson Thomas | F♯ Minor | 0 | 11A | 62 BPM | |
 | L'Oiseau de feu, K10: X. Khorovod (Ronde) des princesses | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | F Minor | 0 | 4A | 68 BPM | |
 | Bottesini: Double Bass Concerto in B Minor: I. Allegro moderato | Giovanni Bottesini, Wies de Boevé, Joshua Weilerstein, Brussels Philharmonic | E Minor | 2 | 9A | 102 BPM | |
 | Pictures At An Exhibition: Promenade I | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | F Major | 1 | 7B | 79 BPM | |
 | Prelude in G Minor, Op. 23, No. 5 | Sergei Rachmaninoff | G Minor | 1 | 6A | 98 BPM | |
 | Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits "Melody" (Arr. Sgambati for Piano) | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | |
 | Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | |
 | Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | |
 | 3 Preludes : Allegro Ben Ritmato E Deciso | Leon Bates, George Gershwin | A♭ Minor | 2 | 1A | 74 BPM | |
 | Love Walked In | George Gershwin, Benjamin Grosvenor | D♭ Major | 1 | 3B | 125 BPM | |
 | Transylvanian March and Embassy Waltz from 'My Fair Lady': Transylvanian March and Embassy Waltz from 'My Fair Lady' | Frederick Loewe, John Wilson, Sinfonia Of London | E Major | 1 | 12B | 68 BPM |
- ISRC
- GBPFW0700780
- Label
- L-M Records/RCA Records