Ian Moore's ' "Four Winds" was released on its scheduled release date, January 19, 1999. With This song being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ian Moore's "Ian Moore's Got the Green Grass" album is number 1 out of 14. On top of that, Turks and Caicos Islands appears to be the country where this track was created. Based on our statistics, Four Winds's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Four Winds by Ian Moore to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cave Hill Cemetery | Trigger Hippy | F Minor | 10 | 4A | 170 BPM | ||
| One Step at a Time | Too Slim and the Taildraggers | D♭ Major | 8 | 3B | 123 BPM | ||
| Blind Faith | Gary Hoey | D♭ Major | 2 | 3B | 80 BPM | ||
| The Way You Shake | Indigenous | F♯ Major | 7 | 2B | 175 BPM | ||
| Blue Sky | Ian Moore | G Major | 6 | 9B | 140 BPM | ||
| Fear Is The Enemy | Tommy Castro, The Painkillers | F Minor | 8 | 4A | 125 BPM | ||
| My Baby She Rocks | Billy F Gibbons | A Major | 9 | 11B | 88 BPM | ||
| Hit Me On The Hip | Ronnie Baker Brooks | D Major | 9 | 10B | 94 BPM | ||
| Can't Fix The World | Toronzo Cannon | A♭ Major | 9 | 4B | 146 BPM | ||
| Hear My Train A Comin' | Doyle Bramhall II | D Major | 6 | 10B | 121 BPM | ||
| Bottom Of The Ocean | Randall Bramblett | B♭ Minor | 6 | 3A | 104 BPM | ||
| How Long | Ian Moore | B Minor | 9 | 10A | 136 BPM | ||
| Stranger Blues | GA-20 | F♯ Major | 9 | 2B | 95 BPM | ||
| Jesse Dayton, Ian Moore, Johnny Moeller | A Minor | 9 | 8A | 130 BPM | |||
| Long Gone | Small-Town Strip Club | F Major | 9 | 7B | 124 BPM | ||
| Drake Ave. & Granville St. | Paul Kype and Texas Flood, Jim Byrnes | B Major | 6 | 1B | 123 BPM | ||
| Baby What You Want Me to Do | Doyle Bramhall | D Minor | 4 | 7A | 109 BPM | ||
| Sweet Mary's Gone | Cry Of Love | F♯ Minor | 7 | 11A | 162 BPM | ||
| Always Believed in You | Arc Angels | C Major | 9 | 8B | 112 BPM | ||
| Smokestack Lightnin' | Big Head Todd and The Monsters | A Major | 7 | 11B | 143 BPM | ||
| The Forecast (Calls For Pain) | The Robert Cray Band, The Memphis Horns | D Minor | 8 | 7A | 91 BPM | ||
| What I Like About Miami | Albert Castiglia | A Major | 9 | 11B | 156 BPM | ||
| Chevrolet | Robben Ford & The Blue Line | C Major | 9 | 8B | 92 BPM | ||
| See What Tomorrow Brings | Arc Angels | A♭ Major | 5 | 4B | 126 BPM | ||
| Spanish Moon | Arc Angels | D Major | 7 | 10B | 150 BPM |