"Learning to Warm Cold Hands" by Flatsound had its release date on February 21, 2019. This song appears to be safe for all ages as it is not explicit. There are a total of 11 in the song's album "Somewhere in the Distance, Somewhere Toward the Mountains". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Turks and Caicos Islands. Learning to Warm Cold Hands is average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Learning to Warm Cold Hands by Flatsound having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Again | hold | A Minor | 3 | 8A | 108 BPM | ||
| Memory limitations in artificial intelligence | Infinity Frequencies | D♭ Major | 0 | 3B | 0 BPM | ||
| Seraph I | How to Disappear Completely | F♯ Minor | 1 | 11A | 137 BPM | ||
| we held hands | doing well | B Major | 0 | 1B | 68 BPM | ||
| lost souls prayer | nilöwh. | D♭ Major | 0 | 3B | 68 BPM | ||
| Unrecovery | E Major | 1 | 12B | 141 BPM | |||
| madison | salvia palth | D♭ Major | 1 | 3B | 119 BPM | ||
| to be remembered | LochHaven | E♭ Minor | 1 | 2A | 143 BPM | ||
| What If I Forget How to Play All the Songs I Wrote on Piano | Ricky Eat Acid | F Major | 1 | 7B | 142 BPM | ||
| One Day | Take Care | E♭ Major | 1 | 5B | 71 BPM | ||
| im letting you go | Memoria Futuri | D♭ Major | 1 | 3B | 119 BPM | ||
| I've Been Thinking About You | Flatsound | B Major | 1 | 1B | 133 BPM | ||
| wish i could be there | Orchid Mantis | G Minor | 0 | 6A | 70 BPM | ||
| They Love Nothing About Me | Imagine Drowning | B Minor | 0 | 10A | 133 BPM | ||
| reprise (reprise) | salvia palth | D♭ Major | 1 | 3B | 119 BPM | ||
| ann moay | abandoned dog | A Minor | 0 | 8A | 67 BPM | ||
| Somewhere in the Distance, Somewhere Toward the Mountains | Flatsound | A♭ Major | 0 | 4B | 137 BPM | ||
| Darcie's Theme | Manta | A♭ Major | 8 | 4B | 90 BPM | ||
| Where'd You Go | Wishing | E Minor | 0 | 9A | 75 BPM | ||
| you make me so ill | LochHaven | F♯ Minor | 2 | 11A | 84 BPM | ||
| my inner landscape | quintuple | A♭ Major | 3 | 4B | 78 BPM | ||
| Manifesto | sign crushes motorist | B Major | 1 | 1B | 120 BPM | ||
| can we call it love | LochHaven | E Major | 0 | 12B | 78 BPM | ||
| my friend | note to self | A♭ Major | 1 | 4B | 130 BPM | ||
| i tore out my heart | Sweet Boy | A♭ Major | 2 | 4B | 69 BPM |