On January 1, 2013, the song "Sakala Lokam" was released by Aravind Sriram, Raghupathi, Ravi. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 11 in Ayyanin Thiruvarul by Aravind Sriram, Raghupathi, Ravi. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Sakala Lokam's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Sakala Lokam by Aravind Sriram, Raghupathi, Ravi is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Muddugare Yasoda | S. P. Sailaja | B Major | 7 | 1B | 169 BPM | ||
| Valampuri Sangu Irukka | Veeramani Kannan | D♭ Major | 8 | 3B | 99 BPM | ||
| Vinaayaka Chathurthi Katha | Ghantasala | E♭ Minor | 4 | 2A | 83 BPM | ||
| Hari Govindha Hari Gobala | Thakkali Srinivasan, Mukilan, Bathma Sangar | B Minor | 7 | 10A | 75 BPM | ||
| Omkara Roopa Sri Anjaneya | Ramakrishna | D Major | 6 | 10B | 109 BPM | ||
| Thikkuth Theriyaatha - Language: Tamil; Genre: Amman | Sakthidaasan | A♭ Major | 6 | 4B | 109 BPM | ||
| Vel Muruga | Dappu Srinu | A♭ Minor | 8 | 1A | 115 BPM | ||
| Thulasi Mani Maalai Aninthu | Veeramani Raju | D Major | 5 | 10B | 96 BPM | ||
| Kanti Akthilanda | G Balakrishna Prasad | B Major | 4 | 1B | 144 BPM | ||
| Thiruttani - Murugan Song | Krishh, Sai Sadhana S | D Major | 4 | 10B | 139 BPM | ||
| Anni Mantramulu Inde | G Balakrishna Prasad | C Major | 6 | 8B | 81 BPM | ||
| Guruvige Guru | Dr. Rajkumar | D Major | 7 | 10B | 85 BPM | ||
| Chaladha | Hemachandra Vedala | F Minor | 7 | 4A | 157 BPM | ||
| Emani Pogudutheme | G Balakrishna Prasad | D♭ Major | 7 | 3B | 160 BPM | ||
| Chandra Sekhar | Ananthkumar | A♭ Major | 9 | 4B | 160 BPM | ||
| Lalitha Pancharatnam | Priya Sisters | E Major | 4 | 12B | 103 BPM | ||
| Podinadaiyaai - Language: Tamil; Genre: Ayyappan | Srihari | D Major | 3 | 10B | 124 BPM | ||
| Neyyum Uruguthu | Srihari | C Minor | 8 | 5A | 93 BPM | ||
| Vaaraaru Karuppar | Srihari | A Major | 6 | 11B | 165 BPM | ||
| Namaa Meesa | S. P. Balasubrahmanyam, Ramu | D♭ Major | 5 | 3B | 144 BPM | ||
| Namah Parvathi Pathaye Hara Hara | Dappu Srinu | F Major | 7 | 7B | 132 BPM | ||
| Shivaya Tandava | Dappu Srinu | D♭ Major | 10 | 3B | 140 BPM | ||
| Shambo Mahesa | Parupalli Sri Ranganath | C Major | 6 | 8B | 86 BPM | ||
| Om Namassivaya | V. Ramakrishna | G Major | 6 | 9B | 94 BPM | ||
| Amma Durgamma Thalli | Gangaputra Narasinga Rao | F♯ Major | 8 | 2B | 146 BPM |