Anthony Pateras, Twitch's 'Fragments, Splinters & Shards (2005) for Twitch [iv]' had a release date set for April 1, 2019. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 25 out of 26 in Collected Works Vol. II by Anthony Pateras. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Fragments, Splinters & Shards (2005) for Twitch [iv]'s popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Fragments, Splinters & Shards (2005) for Twitch [iv] by Anthony Pateras, Twitch is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Reality In Which Everything Is Substitution (2012) for flute & electronics | Anthony Pateras, Lina Andonvoska | F Major | 2 | 7B | 82 BPM | ||
| Systems Collapse (2000) for mixed amplified octet [i] | Anthony Pateras | A♭ Minor | 5 | 1A | 93 BPM | ||
| Angle & Approach | Sulla Lingua, Anthony Pateras, Stefano Pilia, Riccardo La Foresta | F♯ Minor | 0 | 11A | 66 BPM | ||
| Fructus Ventris | Marina Frescobaldi | B♭ Major | 2 | 6B | 120 BPM | ||
| Les autres | Charlotte Reinhardt | G Major | 2 | 9B | 64 BPM | ||
| Darkside | DR. Raulito 45 | F♯ Minor | 7 | 11A | 125 BPM | ||
| Dos extraños | KJMV9 | B Major | 1 | 1B | 174 BPM | ||
| Rêve Noir [ii] | Stephen O'Malley, Anthony Pateras | E Major | 6 | 12B | 88 BPM | ||
| Quyulyxyz | ZylyP | B Minor | 2 | 10A | 123 BPM | ||
| Schichtungen 4 | Herr Stabel, Sebastian Deufel | D♭ Major | 2 | 3B | 108 BPM | ||
| Occurrences in Rain | Dronny Darko | F♯ Minor | 0 | 11A | 66 BPM | ||
| Warm Clarity | Vexa Lune | B♭ Minor | 1 | 3A | 194 BPM | ||
| Mutant Theatre Act 2 (2002) for solo percussion [i] | Anthony Pateras, Vanessa Tomlinson | D♭ Major | 8 | 3B | 106 BPM | ||
| Luce Ferma | Stella Rose | F♯ Minor | 0 | 11A | 66 BPM | ||
| Sometimes Snakes Can’t Slough | Sulla Lingua, Anthony Pateras, Stefano Pilia, Riccardo La Foresta | F♯ Minor | 0 | 11A | 66 BPM | ||
| Shrunken Head - Remastered Version | Killawaya | B Major | 5 | 1B | 109 BPM | ||
| Broken Then Fixed Then Broken (2009) for cello, bass clarinet & prepared piano | Anthony Pateras, Golden Fur | E Minor | 1 | 9A | 73 BPM | ||
| They Are Here | KMRU | F♯ Minor | 0 | 11A | 66 BPM | ||
| Feels Good Tonight | VENOM | A Minor | 0 | 8A | 80 BPM | ||
| Recovering The System | Binaural Dreams | C Major | 0 | 8B | 132 BPM | ||
| Asi cuido | CPekeño | F Major | 2 | 7B | 96 BPM | ||
| Nonnopesca | Octogang | F♯ Minor | 0 | 11A | 66 BPM | ||
| Viva | Sulla Lingua, Anthony Pateras, Stefano Pilia, Riccardo La Foresta | F♯ Minor | 0 | 11A | 66 BPM | ||
| London 4 | Pateras/Baxter/Brown, Sean Baxter, David Brown, Anthony Pateras | F♯ Minor | 2 | 11A | 96 BPM | ||
| Easter Gene | Anthony Pateras | F Major | 8 | 7B | 140 BPM |