Ravindra Jain's ' "Chanda Prabhu Ke Jyoti Se Jagmag" was released on its scheduled release date, December 28, 2021. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Rj Hits - Jain Bhajan (Tatkalin Rachnaen)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from India. The popularity of Chanda Prabhu Ke Jyoti Se Jagmag is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Chanda Prabhu Ke Jyoti Se Jagmag by Ravindra Jain having a BPM of 165 with a half-time of 82 BPM and a double-time of 330 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bhagwan Meri Naiya Uss Paar Laga Dena PrayerMeet Bhajan | Charan Ji | C Minor | 7 | 5A | 170 BPM | ||
| Mere Ghar Ke Aage Sainath Tera Mandir Ban Jaye | Paras Jain | E Major | 9 | 12B | 92 BPM | ||
| Ravi Speaks And Tora Man Darpan (With Commentary) | Asha Bhosle, Ravi | B♭ Minor | 5 | 3A | 93 BPM | ||
| Kanha O Kanha | Navin Tripathi, Kavita Raam | E Major | 8 | 12B | 87 BPM | ||
| Veer Hanumana Ati Balwana | Gyanendra Sharma | A♭ Major | 7 | 4B | 114 BPM | ||
| Ghanashyam Sundara Shridhara | Chandrashekhar Gadgil, Anupama | G Minor | 4 | 6A | 170 BPM | ||
| Mera Koi Na Sahara Bin Tere | Rajkumar Vinayak | A♭ Major | 9 | 4B | 99 BPM | ||
| Siya Raghuvar Ji Ke Sang Paran Laagi | Ravindra Jain, Shobha Joshi | F Minor | 7 | 4A | 90 BPM | ||
| Sab kuch to mil gaya hai | Brahma Kumaris | B Major | 4 | 1B | 143 BPM | ||
| Govind Mero Hai Gopal Mero Hai | Rakesh Kala | E Major | 8 | 12B | 151 BPM | ||
| Kanji Tari Maa Keshe | Arvind Barot, Lalita Ghodadra | G Minor | 5 | 6A | 129 BPM | ||
| Kanhaiya Tujhe Aana Padega | Mahendra Kapoor, Kalyanji-Anandji | E Major | 6 | 12B | 113 BPM | ||
| Lagan Mandap Mein Padharo Kunwar Ji (From "Baal Kaand") | Shobha Joshi, Ravindra Jain | F Minor | 5 | 4A | 149 BPM | ||
| Karein Bhagat hon aarti mai doi biriyan | Rakesh Tiwari | A♭ Major | 5 | 4B | 117 BPM | ||
| Yadi Nath Ka Naam Dayanidhi Hai | Devendra Pathak | F♯ Minor | 6 | 11A | 151 BPM | ||
| Jab Tak Pure Na Ho Phere Saat | Hemlata | G Minor | 6 | 6A | 116 BPM | ||
| Tum Utho Siya Shringar Karo - Ram Bhajan | Saloni Thakkar, Buddhaa M | E Major | 3 | 12B | 115 BPM | ||
| Mahelo Na Vasi | Hari Bharwad | F♯ Major | 6 | 2B | 85 BPM | ||
| Tumse Laagi Lagan | Anjali Jain, Namita Jain, Anubhav Kapil | E♭ Minor | 4 | 2A | 115 BPM | ||
| Mera Aapki Kripa Se | Jaya Kishori | F♯ Major | 9 | 2B | 89 BPM | ||
| Ek Baar Toh Radha Bankar Dekho | Navin Tripathi, Kavita Raam | F♯ Major | 5 | 2B | 140 BPM | ||
| Aaja Maa Tenu Ankhiyan Udeek Diyaan (From "Jai Maa Vaishno Devi") | Sonu Nigam | A♭ Major | 8 | 4B | 90 BPM | ||
| Nagari Ho Ayodhya Si | Sadho The Band | F Major | 7 | 7B | 92 BPM | ||
| Bhagwat Bhagwan Ki Aarti (Kantikartik Yadav) | OP Dewangan | G Major | 9 | 9B | 74 BPM | ||
| Hum Katha Sunte Ram | Arun | C Major | 7 | 8B | 104 BPM |