Riccardo Drigo, Mario Lanza, Constantine Callinicos's ' "Serenade" was released on its scheduled release date, November 19, 1991. The duration of This song is about 3 minutes long, at 3:01. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 61 in the song's album "The Mario Lanza Collection". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. In terms of popularity, Serenade is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Serenade by Riccardo Drigo, Mario Lanza, Constantine Callinicos having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Romeo And Juliet, Ballet Suite No. 1 - Op. 64a:5: Masks | Sergei Prokofiev, Royal Concertgebouw Orchestra, Myung-Whun Chung | C Major | 0 | 8B | 68 BPM | ||
| La Esmeralda: Pas De Deux, Esmeralda's Variation (Battement Tendu and Pirouettes Faster) | Cesare Pugni, Charles Mathews | F Minor | 2 | 4A | 115 BPM | ||
| Piqué Turns | Robin Rhodin | B♭ Major | 1 | 6B | 109 BPM | ||
| Plié - 4/4 | Venti Petrov, Ferdy Tumakaka | F Major | 2 | 7B | 146 BPM | ||
| Cinderella, Op. 87: Act I: No. 19. Cinderella's Departure for the Ball | Sergei Prokofiev, Gennady Rozhdestvensky, Moscow RTV Symphony Orchestra | D♭ Major | 0 | 3B | 60 BPM | ||
| Hérold & Lanchbery: La fille mal gardée, Act 1: No. 2, Dance du coq et des poules | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | D Major | 4 | 10B | 164 BPM | ||
| Die Flamme von Paris (Flames of Paris), Act IV: Moderato: Men's Variation [arr. March] | Boris Vladimirovich Asafiev, Sofia National Opera Orchestra, Boris Spassov | B♭ Major | 3 | 6B | 137 BPM | ||
| Giselle, Act 2: No. 12 Ensemble Dance of the Wilis, Lead Wilis’ Variations, Myrtha’s Second, Variation, Lead Wilis and ensemble | Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon | A♭ Major | 1 | 4B | 129 BPM | ||
| Giselle: Act I: Retour de la vendange et valse (The Grape-Pickers Return) | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 0 | 10B | 134 BPM | ||
| Emeralds - Faure: Incidental music to Pelleas et Melisande, Op. 80 and Shylock, Op. 57; Pelleas et Melisande - Sicilienne: Allegretto molto moderato | Gabriel Fauré, NEW YORK CITY BALLET ORCHESTRA/ROBERT IRVING, CONDUCTOR | E♭ Major | 0 | 5B | 88 BPM | ||
| Romeo and Juliet Suite No. 1, Op. 64bis: VI. Romeo and Juliet (Balcony Scene) | Sergei Prokofiev, Bergen Philharmonic Orchestra, Andrew Litton | F Major | 0 | 7B | 79 BPM | ||
| Bach (Adagio, Center Floor Technique) | David Howard, Douglas Corbin | D♭ Major | 1 | 3B | 94 BPM | ||
| Swan Lake, Op. 20 (Mariinsky Version), Act I: No. 4, Pas de trois: Var. 1. Allegro semplice | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev | E♭ Major | 2 | 5B | 97 BPM | ||
| Les Millions d'Arlequin, Act II: Scène III, Coda du Ballabile des enfants | Riccardo Drigo, Nina Miller | E Major | 1 | 12B | 65 BPM | ||
| Ballet Suite No. 3 (arr. L. Atovmyan): Waltz (The Human Comedy) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | A Major | 2 | 11B | 98 BPM | ||
| Rond de jamb á terre in E-Major | Konstantin Mortensen | B Major | 1 | 1B | 137 BPM | ||
| Blumenfest-Polka, Op. 111 | Johann Strauss II, Robert Stolz, Berliner Symphoniker | E Minor | 5 | 9A | 106 BPM | ||
| Grand Battement Roudnev, Vol. 2 | Marina Stolyar, Dmitri Roudnev | A Minor | 1 | 8A | 77 BPM | ||
| Battements Tendus 4/4: As Time Goes By (From "Everybody's Welcome") / The Glory of Love | Margot Kazimirska | C Major | 2 | 8B | 175 BPM | ||
| Tritsch-Tratsch Polka, Op.214 | Johann Strauss, Gerardo Taube Horowitz | C Major | 3 | 8B | 182 BPM | ||
| Grand Allegro 3/4: Embassy Waltz (From "My Fair Lady") | Margot Kazimirska | E♭ Major | 3 | 5B | 95 BPM | ||
| Grande tarantelle, Op. 67, RO 259 (Arr. for Piano & Orchestra by Hershy Kay) | Louis Moreau Gottschalk, Eugene List, Vienna State Opera Orchestra, Igor Buketoff | E♭ Major | 1 | 5B | 106 BPM | ||
| Grand Pas Classique. Female Variation. | Daniel Auber, MetodoVadim | F Major | 0 | 7B | 187 BPM | ||
| La Bayadere, Act I, Scene 2: 14. "Ankle Scarf Dance and Coda" | Evergreen Symphony Orchestra, Kevin Galiè | A Major | 1 | 11B | 101 BPM | ||
| La bayadère: Allegretto | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | G Major | 1 | 9B | 98 BPM |