On July 1, 2015, the song "Boregowda Emba Gowda" was released by Mysore Ananthaswamy. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Mysore Ananthaswamy, Jayashri, Kasturi Shankar, Padmavathi's "Madhura Popular Songs" album is number 7 out of 9. On top of that, India appears to be the country where this track was created. Based on our statistics, Boregowda Emba Gowda's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Boregowda Emba Gowda by Mysore Ananthaswamy to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Yaava Sowbhagya Sama | Rathnamala Prakash | G Major | 6 | 9B | 141 BPM | ||
| Nadedide Poojarathi | P.A. Mangala, N Aparna | F Major | 5 | 7B | 150 BPM | ||
| Amma Seethamma | Purnachandra, Mst. Puneeth | E Major | 3 | 12B | 108 BPM | ||
| Yella Marethiruvaga | Rathnamala Prakash | C Minor | 4 | 5A | 176 BPM | ||
| Saami En Thaali | Ilaiyaraaja, K. S. Chithra | B♭ Major | 3 | 6B | 116 BPM | ||
| Nolkkunnu Ennal | M. G. Sreekumar | A Major | 3 | 11B | 154 BPM | ||
| Baa Olave | M.K. Jayashri, Padma | G Major | 4 | 9B | 138 BPM | ||
| Lokada Kannige | M.S. Srikrupa | C Minor | 5 | 5A | 87 BPM | ||
| Karunaalu Baa Belake | B. R. Chaya | F Minor | 5 | 4A | 160 BPM | ||
| Jaya Deva Jaya Deva | Raju Ananthaswamy | F Minor | 5 | 4A | 160 BPM | ||
| Thenilum Thelithenilum | Keyboard Suresh, S.Lawrance, Vyasar S Lawrance | E Minor | 4 | 9A | 111 BPM | ||
| Gajamukhane | Sreedharan Mundanghat, Praveen.D. Rao, Vijay Narasimha | G Major | 4 | 9B | 90 BPM | ||
| Palkodhicha | K J Yesudas Chorus, T. Rajendar | C Minor | 6 | 5A | 88 BPM | ||
| Neenelli Nadevedoora | Mohammed Rafi | F♯ Major | 6 | 2B | 82 BPM | ||
| Bittidde Yenda Alli | Mysore Ananthaswamy | F Minor | 2 | 4A | 127 BPM | ||
| Manada Hambalada | M. D. Pallavi | G Minor | 5 | 6A | 125 BPM | ||
| Jailalli Hutti | Mano, Ilaiyaraaja | B♭ Major | 7 | 6B | 125 BPM | ||
| Ghallu Ghallenuta | Manjula Gururaj | F Major | 3 | 7B | 111 BPM | ||
| Matthade Besara | Rathnamala Prakash | D Minor | 5 | 7A | 150 BPM | ||
| Sobaana Sobaana | Rajkumar, Ramesh Chandra, K.S. Surekha, Sri Raksha Aravind | D♭ Major | 6 | 3B | 103 BPM | ||
| Thumu Thumu Thumbi Banditha | B.R. Manjula | E♭ Minor | 4 | 2A | 117 BPM | ||
| Januma Jodi Aadaru | V. Manohar, Rajkumar | C Minor | 2 | 5A | 154 BPM | ||
| Thayine Illadantha | Mano, Hamsalekha | B Major | 10 | 1B | 86 BPM | ||
| Shubhamangala | P. B. Sreenivas, Vani Jairam | D♭ Minor | 5 | 12A | 102 BPM | ||
| Seere Seere Seere | V. Manohar, Sangeetha Katti, Sriranga | D Major | 4 | 10B | 179 BPM |