"Suburbis: II. Gitana, No. 1" by Federico Mompou had its release date on January 1, 2009. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Suburbis: II. Gitana, No. 1's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Federico Mompou's "Mompou: Complete Piano Works" album is number 102 out of 111. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Suburbis: II. Gitana, No. 1 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suburbis: II. Gitana, No. 1 by Federico Mompou to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 4 Preludes for Piano, Op. 61: No. 1, Pensieroso | Ignaz Friedman, Joseph Banowetz | B Major | 0 | 1B | 73 BPM | ||
| Primer cuaderno: VII. Lento | Federico Mompou | F Minor | 0 | 4A | 102 BPM | ||
| December 32nd - Piano Solo Version | Julius Asal | C Minor | 3 | 5A | 76 BPM | ||
| Sérénade, Op. 29 | Cécile Chaminade, Eric Parkin | D Major | 0 | 10B | 70 BPM | ||
| Adagio in F, H.XVII No. 9 | Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
| Nocturne No. 16 In F Major, H. 62: Nocturne No. 16 In F Major | Benjamin Frith, John Field | F Major | 0 | 7B | 71 BPM | ||
| Le tempo qui n'est plus | Francis Pott, Duncan Honeybourne | A♭ Major | 0 | 4B | 68 BPM | ||
| Davidsbündlertänze, Op. 6: No. 18, Nicht schnell | Robert Schumann, Tiffany Poon | C Major | 0 | 8B | 104 BPM | ||
| 6 Romances russes: No. 6 in D Minor (After A. Dargomyzhsky) | Adolf von Henselt, Sergio Gallo | D♭ Major | 1 | 3B | 71 BPM | ||
| Jocelyn, Op. 100: Berceuse (Arr. for Piano 4 Hands) | Benjamin Godard, Zeynep Ucbasaran, Sergio Gallo | F Major | 0 | 7B | 134 BPM | ||
| Prélude in B-Flat Major, Op. 11, No. 21 - Upright Version | Alexander Scriabin, Julius Asal | E♭ Major | 0 | 5B | 68 BPM | ||
| Nocturne | Lili Boulanger, Juliette Hurel, Hélène Couvert | F Major | 0 | 7B | 62 BPM | ||
| Nocturne No. 11 in E-Flat Major, H. 56 | John Field, Alice Sara Ott | F Major | 0 | 7B | 67 BPM | ||
| Menuets, RCT 6/3-4 | Jean-Philippe Rameau, Bruce Liu | G Major | 0 | 9B | 78 BPM | ||
| Massenet: 10 Pièces de genre, Op. 10: No. 5, Mélodie "Élégie" | Jules Massenet, Shani Diluka | F Major | 2 | 7B | 123 BPM | ||
| Apariciones: Valses Romanticos: Sensitive | Enrique Granados, Douglas Riva | C Minor | 0 | 5A | 143 BPM | ||
| Lyric Pieces, Book III, Op. 43: No. 5, Erotikon | Edvard Grieg, Andrey Gugnin | F♯ Major | 0 | 2B | 65 BPM | ||
| Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
| Gypsy Melodies, B. 104: IV. Songs My Mother Taught Me (Arr. Hough) | Antonín Dvořák, Stephen Hough | E♭ Major | 0 | 5B | 63 BPM | ||
| Satie: 3 Gymnopédies: No. 1, Lent et douloureux | Erik Satie, Thomas Dunford | E Major | 0 | 12B | 80 BPM | ||
| Bonis: Miocheries, Op. 126: No. 13, La toute petite s'endort | Mel Bonis, Bertrand Chamayou | B Minor | 0 | 10A | 81 BPM | ||
| Pièces froides / II. Danses de travers: 1. En y regardant à deux fois | Hélène Grimaud | A Minor | 0 | 8A | 72 BPM | ||
| Mompou: Paisajes: No. 2, El lago | Federico Mompou, Leif Ove Andsnes | A Minor | 0 | 8A | 72 BPM | ||
| Brahms: 6 Piano Pieces, Op. 118: No. 2, Intermezzo in A Major | Johannes Brahms, Piotr Anderszewski | E♭ Minor | 0 | 2A | 136 BPM | ||
| Improvisation No. 3 | Gabriela Montero | D Major | 2 | 10B | 113 BPM |