"母が教えてくれた歌 〜<ジプシーの歌>作品55より" by 蒲原史子 had its release date on April 21, 1995. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. 母が教えてくれた歌 〜<ジプシーの歌>作品55より's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 祈り〜アヴェ・マリア, so we believe that "母が教えてくれた歌 〜<ジプシーの歌>作品55より" is a single. 母が教えてくれた歌 〜<ジプシーの歌>作品55より is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 母が教えてくれた歌 〜<ジプシーの歌>作品55より by 蒲原史子 is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| O del mio dolce ardor | Christoph Willibald Gluck, Teresa Berganza, Orchestra of the Royal Opera House, Covent Garden, Alexander Gibson | D Major | 2 | 10B | 119 BPM | ||
| Chopin: 17 Songs, Op. 74: No. 9, Melodia | Frédéric Chopin, Teresa Żylis-Gara, Halina Czerny-Stefanska | E Major | 1 | 12B | 103 BPM | ||
| La Bohème, Act II: Quando me’n vo’ | Giacomo Puccini, Luigi Illica, Giuseppe Giacosa, Marina Rebeka, Marco Boemi, Wrocław Opera Orchestra | E Major | 2 | 12B | 88 BPM | ||
| Petite messe solennelle: O salutaris Hostia | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Julia Lezhneva | G Major | 1 | 9B | 91 BPM | ||
| カッチーニのアヴェ・マリア(ヴァヴィロフ/朝川 朋之編) | Yoko Hasegawa | C Major | 6 | 8B | 112 BPM | ||
| Bellini: La sonnambula, Act 2: "Ah! non credea mirarti" (Amina, Elvino) | Vincenzo Bellini, Maria Callas, Nicola Monti, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 1 | 6B | 91 BPM | ||
| Neuf mélodies retrouvées: No. 5, Naïs | Reynaldo Hahn, Julie Roset, Susan Manoff | E Major | 1 | 12B | 103 BPM | ||
| Il natal d'Apollo: Ombra dolente (Alceo) | Vincenzo Righini, Diana Damrau, Jérémie Rhorer, Le Cercle De L'Harmonie | G Major | 0 | 9B | 70 BPM | ||
| Les filles de Cadix | Léo Delibes, Cecilia Bartoli, Myung-Whun Chung | E Minor | 1 | 9A | 161 BPM | ||
| Les chemins de l'amour, FP 106 | Francis Poulenc, Jessye Norman, Dalton Baldwin | D♭ Major | 1 | 3B | 77 BPM | ||
| Turandot: Tu, che di gel sei cinta | Mirella Freni, Vienna Volksoper Orchestra, Argeo Quadri | B Major | 2 | 1B | 87 BPM | ||
| La fille du régiment, Act I: La la la – chacun le sait, chacun le dit | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Spiro Malas, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 2 | 7B | 180 BPM | ||
| Gianni Schicchi: Ecco la cappellina! | Giacomo Puccini, Leo Nucci, Eva Podles, Roberto Alagna, Riccardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Giorgio Giorgetti, Enrico Fissore, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | F Major | 1 | 7B | 88 BPM | ||
| Op 34, N. 2: "Auf Flügeln des Gesanges" | Victoria de los Ángeles | A♭ Major | 1 | 4B | 138 BPM | ||
| Norma / Act 2 Scene 1: "Mira, O Norma" | Vincenzo Bellini, Sumi Jo, Cecilia Bartoli, Orchestra La Scintilla, Giovanni Antonini | F Major | 2 | 7B | 74 BPM | ||
| タイスの瞑想曲 | Jules Massenet, Emiri Miyamoto | D Major | 2 | 10B | 164 BPM | ||
| The Lark | Mikhail Glinka, Julia Sukmanova, Elena Sukmanova | B Minor | 1 | 10A | 105 BPM | ||
| Schumann: Kinderszenen, Op. 15, No. 7, "Träumerei" | Su Shien-Ta, Yu Tsui-Ling | F Major | 4 | 7B | 155 BPM | ||
| Morgiane, ou, Le sultan d'Ispahan, Act II: Introduction - Ouvrons le marché - Live | Edmond Dede, Taylor White, OperaCréole Ensemble, Opera Lafayette Orchestra, Patrick Dupre Quigley, Givonna Joseph | E Major | 1 | 12B | 103 BPM | ||
| ハープ協奏曲 変ロ長調 作品4-6 II- Larghetto | George Frideric Handel, Mai Takematsu | B♭ Major | 2 | 6B | 152 BPM | ||
| Cavalleria rusticana: "Voi lo sapete, o mama" (Romanza) | Pietro Mascagni, Fiorenza Cossotto, Maria Gracia Allegri, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | D Major | 3 | 10B | 108 BPM | ||
| ピアノ協奏曲 第3番 ハ短調 作品37: 第2楽章: Largo | Ludwig van Beethoven, Nobuyuki Tsujii, シドニー・シンフォニー・オーケストラ, Vladimir Ashkenazy | A♭ Major | 0 | 4B | 168 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Infirma nostri corporis | Gustav Mahler, Barbara Kubiak, Izabella Kłosińska, Jadwiga Rappe, Ewa Marciniec, Timothy Bentch, Wojtek Drabowicz, Piotr Nowacki, Warsaw Philharmonic Choir, Polish Radio Choir, Cardinal Stefan Wyszynski University Choir, Warsaw Philharmonic Orchestra, Antoni Wit | A♭ Major | 2 | 4B | 85 BPM | ||
| Chansons pour les oiseaux: No. 3, L'oiseau bleu | Louis Beydts, Julie Roset, Susan Manoff | G Major | 6 | 9B | 103 BPM | ||
| Manon Lescaut / Act 4: Sei tu che piangi? | Giacomo Puccini, Mirella Freni, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | E Minor | 1 | 9A | 65 BPM |