"Sequence: Miserere miseris" by Anonymous , Anonymous 4 had its release date on 1995. With This song being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "The Lily & the Lamb: Chant & Polyphony from Medieval England". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United States. Sequence: Miserere miseris is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sequence: Miserere miseris by Anonymous , Anonymous 4 having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| O Domine Jesu Christe | Jean Mouton, The Suspicious Cheese Lords | A Major | 1 | 11B | 72 BPM | ||
| The Armed Man (Ensemble Version): III. Kyrie | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera, Kathryn Rudge | G Major | 2 | 9B | 127 BPM | ||
| Introit in Shadow | Night Monastery | E♭ Minor | 1 | 2A | 131 BPM | ||
| Isaac: Donna di dentro dalla tua casa | Heinrich Isaac, Konrad Ruhland, Capella Antiqua München | C Major | 2 | 8B | 102 BPM | ||
| Orthodox Gregorian Calm Templar Chant | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Hubert Dopf S.J., Canonici Regolari Di Sant'Antimo | F♯ Major | 1 | 2B | 83 BPM | ||
| Burial Sentences: III. We Brought Nothing Into This World | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | F Minor | 0 | 4A | 88 BPM | ||
| O Holy God: The Trisagion | Kiev Chamber Choir | B♭ Major | 0 | 6B | 126 BPM | ||
| Divine Liturgy: Anaphora | Choir of the Monks of Chevetogne | B Minor | 1 | 10A | 101 BPM | ||
| Quem vidistis pastores | Giovanni Bassano, Les Traversées Baroques, Etienne Meyer | C Major | 0 | 8B | 126 BPM | ||
| S'io sedo a l'ombra, Amor | Marchetto Cara, Carolyn Sampson, Robert Meunier | C Major | 0 | 8B | 50 BPM | ||
| Del Kyriale: Agnus Dei del Tono IV | Pro Musica Gregoriana | D♭ Major | 1 | 3B | 68 BPM | ||
| Missa pro Defunctis (1544): Sequentia: "Dies irae" | Cristobal de Morales, Gabrieli, Paul McCreesh | C Major | 1 | 8B | 73 BPM | ||
| Domine ad adjuvandum | Jacobus Gallus, Pro Musica, Szabó Dénes | E♭ Major | 1 | 5B | 136 BPM | ||
| Vere languores nostros, IAL 32 | Antonio Lotti, Pro Musica, Szabó Dénes | A♭ Major | 0 | 4B | 71 BPM | ||
| Ave Maria | Anonymous, Charles Jauquier, Alexander Coland, Daniel Gendre, Klaus Slongo, Fribourg Children's Choir, Schola Feminine, Schola voix d'hommes, Pierre Kaelin | D Major | 1 | 10B | 76 BPM | ||
| Nox Sacra | Benedyktyni Opactwa Tynieckiego | A♭ Minor | 2 | 1A | 116 BPM | ||
| Francis Poulenc: Quem vidistis pastores | Lumen Valo | B Minor | 1 | 10A | 131 BPM | ||
| Messe du jour: Puer natus est | Chœur des moniales Bénédictines de l'abbaye Notre-Dame d'Argentan, Denise Lebon | A Minor | 1 | 8A | 130 BPM | ||
| Vultum Tuum | Schola Gregoriana Del Coro F. Paer | F Major | 1 | 7B | 114 BPM | ||
| Allejua, Allejua, Laudate Dominum, Allejua, Venite, Exultemus Domino | Monks Of The Benedictine Abbey Of Calcat | E♭ Major | 2 | 5B | 105 BPM | ||
| Benedictus sis tu | Birgitta von Schweden, Les Flamboyants, Michael Form, Susanne Ansorg, Miriam Andersén, Kelly Landerkin, Marília Vargas | C Minor | 0 | 5A | 75 BPM | ||
| Palestrina: Missa Papae Marcelli - 5a. Agnus Dei 1 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 66 BPM | ||
| Missa Presulem ephebeatum: I. Kyrie | Heinrich Isaac, Cappella Mariana, Vojtěch Semerád | D Minor | 2 | 7A | 83 BPM | ||
| Memoria Laetitiae | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Hubert Dopf S.J., Canonici Regolari Di Sant'Antimo | D Major | 1 | 10B | 83 BPM | ||
| Mysterium Arcani | Cathedral Choir | A Minor | 0 | 8A | 130 BPM |