Dilip Naik's ' "Shree Ram Chand" was released on its scheduled release date, April 1, 2010. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Shree Ram Chand's duration is considered a little bit shorter than the average duration of a typical track. The song is number 64 out of 92 in Bhakti Sagar by Vikram. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Shree Ram Chand is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Shree Ram Chand by Dilip Naik is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Murliwale Ne Gher Lai | Hari Om Sharan | F♯ Major | 7 | 2B | 93 BPM | ||
| Vojo Gouranga | Apily Dutta Bhowmick | F♯ Major | 7 | 2B | 150 BPM | ||
| HIRA HIRKANI | Aaba Chaudhari | A♭ Major | 8 | 4B | 80 BPM | ||
| Laya God Sapan Padal | Shakuntala Jadhav | B♭ Minor | 6 | 3A | 79 BPM | ||
| Parshula Radu Ala | Rahul Shinde, L Padmaja, Dilip Naik | A♭ Major | 5 | 4B | 103 BPM | ||
| Sogandh Ram Ki Khate Hai | Prakash Mali | B♭ Major | 8 | 6B | 109 BPM | ||
| Zanda Uncha Rahe Hamara | Satish Dehra, Foram Maheta | D Major | 9 | 10B | 120 BPM | ||
| Tomar Moron Kale | Kanak Chapa | C Minor | 8 | 5A | 141 BPM | ||
| Sangi Re | Mithlesh Sahu | B Major | 6 | 1B | 138 BPM | ||
| Timli Dhamaka Part 3 | Rajal Barot, Bharat Pagi | B Major | 7 | 1B | 119 BPM | ||
| Hey Yogeshwar Hey Lokeshwar | Kumar Sanu, Kajori Guha | C Major | 5 | 8B | 170 BPM | ||
| Hari Mon Mojaaye | Jayati Chakraborty | B♭ Major | 6 | 6B | 136 BPM | ||
| Shree Jeen Mata Mangalpath 1st Adhyay - Shree Jeen Mata Mangalpath Saurabh Madhukar Keshav Madhukar | Saurabh Madhukar, Keshav Madhukar | B♭ Minor | 9 | 3A | 103 BPM | ||
| Mazya Saichi Ajab Kahani | Omkar Mahadik | B♭ Minor | 8 | 3A | 125 BPM | ||
| Hala Vala Mare Hirani Dori | Kiran Prajapati | A♭ Minor | 9 | 1A | 135 BPM | ||
| Banno Thare Mehndi Lagavan Aai | Seema Mishra | D♭ Major | 6 | 3B | 185 BPM | ||
| Dante Siri Daayi | Dukalu Yadav | A Major | 8 | 11B | 80 BPM | ||
| Runiche Wala Raja Khamma Ghani | Moinudin Manchala | F♯ Major | 5 | 2B | 77 BPM | ||
| Palkhi Aali Mhotachi | Rahul Shinde, L Padmaja, Dilip Naik | A Minor | 7 | 8A | 124 BPM | ||
| Majhya Saicha Udo | Sachidanand Aappa | F♯ Major | 6 | 2B | 104 BPM | ||
| Aalo Charni Tujha | Suresh Wadkar | C Major | 7 | 8B | 105 BPM | ||
| Kalya Ghodyache Pay Vaje | Nanda Bhamre | G Minor | 6 | 6A | 82 BPM | ||
| Sajal Sajal | Bhakta Raj Acharya | C Major | 6 | 8B | 138 BPM | ||
| Mhota Devicha Udho Udho Bola | Rahul Shinde, L Padmaja, Dilip Naik | F♯ Major | 5 | 2B | 89 BPM | ||
| Barsane Ki Chhori Radha Gori Gori | Nidhi Dholakia | E Major | 7 | 12B | 114 BPM |