Motionless In White's 'Billy In 4C Never Saw It Coming' had a release date set for January 1, 2009. Billy In 4C Never Saw It Coming is explicit and may not be suitable for children. With the duration being about 4:02, this song is close to the average duration of a typical track. This song is part of When Love Met Destruction by Motionless In White. The song's track number on the album is #5 out of 6 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Billy In 4C Never Saw It Coming's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Billy In 4C Never Saw It Coming by Motionless In White has a tempo of 131 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Billy In 4C Never Saw It Coming being at 131 BPM, the half-time would be 66 BPM with a double-time of 262 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| What Happens If I Can't Check My Myspace When We Get There | Attack Attack! | D♭ Minor | 10 | 12A | 100 BPM | ||
| THE SMILING KNIFE | Sworn In | D Major | 10 | 10B | 150 BPM | ||
| For the Likes of You | Woe, Is Me | G Minor | 10 | 6A | 154 BPM | ||
| Devil's Night | Motionless In White | B Minor | 10 | 10A | 135 BPM | ||
| The River | Wage War | A♭ Major | 9 | 4B | 145 BPM | ||
| Burned At Both Ends II | Motionless In White | A♭ Major | 10 | 4B | 172 BPM | ||
| The Invigorating Tale Of Robert Francis Allen The Third | Ashes At Last | A Major | 8 | 11B | 59 BPM | ||
| Loveless | Not Enough Space, Kellin Quinn | A♭ Major | 9 | 4B | 186 BPM | ||
| Alone in the Morgue | Whitechapel | C Major | 10 | 8B | 125 BPM | ||
| Puppets (The First Snow) | Motionless In White | B Major | 8 | 1B | 200 BPM | ||
| Never Trust A Dead Man | For All Those Sleeping | E Major | 10 | 12B | 152 BPM | ||
| Stick to Fiction | Deadbeat Nightlife | D♭ Minor | 10 | 12A | 148 BPM | ||
| Solace | Currents | A Minor | 10 | 8A | 130 BPM | ||
| A Confession | Currents | G Major | 10 | 9B | 120 BPM | ||
| With a Thunder We Rise | Drag Me Out | G Major | 10 | 9B | 155 BPM | ||
| ASL | I Set My Friends On Fire | G Minor | 9 | 6A | 168 BPM | ||
| Antithesis | Jamie's Elsewhere | A♭ Major | 9 | 4B | 170 BPM | ||
| Geeving | Abandon All Ships | A♭ Major | 9 | 4B | 132 BPM | ||
| Romance Is Dead | Parkway Drive | F♯ Minor | 9 | 11A | 147 BPM | ||
| Beautiful Remains | Black Veil Brides | A Major | 9 | 11B | 195 BPM | ||
| Structures | Abandon All Ships | G Major | 10 | 9B | 83 BPM | ||
| Daniel, Where's The Boat | Drop Dead, Gorgeous | A♭ Major | 9 | 4B | 88 BPM | ||
| Chris Brown's Latest Hit | Ice Nine Kills | F♯ Major | 9 | 2B | 135 BPM | ||
| Sunshine | Sworn In | D♭ Major | 10 | 3B | 94 BPM | ||
| 10 Signs You Should Leave | Emmure | F♯ Major | 10 | 2B | 91 BPM |