"Concerto in C Minor, Op. 6 No. 3: IV. Vivace" by Arcangelo Corelli, Musica Amphion, Pieter-Jan Belder had its release date on 2006. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Concerto in C Minor, Op. 6 No. 3: IV. Vivace's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 63 in Correlli: Concerti Grossi, Op. 6 by Arcangelo Corelli, Musica Amphion, Pieter-Jan Belder. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Concerto in C Minor, Op. 6 No. 3: IV. Vivace is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto in C Minor, Op. 6 No. 3: IV. Vivace by Arcangelo Corelli, Musica Amphion, Pieter-Jan Belder is Grave (very slow), since this song has a tempo of 32 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| III. Minuetto | Luigi Boccherini, Zoltan Tokos, Danubius Quartet | G Major | 1 | 9B | 80 BPM | ||
| Concerto in D Minor; Op. 6 No. 5: III. Moderato | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 102 BPM | ||
| Sinfonia No. 10 in C Major: III. Non tanto largo | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 136 BPM | ||
| Symphony No. 59 in B-Flat Major: III. Presto | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | A Major | 3 | 11B | 124 BPM | ||
| Quintet (Sinfonia spirituosa) In D Major TWV 44:1, For 2 Violins, Viola And Basso Continuo: 2. Largo | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | E Major | 1 | 12B | 99 BPM | ||
| Symphony No. 8 in D Minor, Op. 2, "Worcester Overture": III. Tempo di Gavotta | William Boyce, Aradia Ensemble, Kevin Mallon | B Major | 2 | 1B | 119 BPM | ||
| Sonata da camera in G Minor, "O Haupt voll Blut und Wunden": III. Adagio | Johann Gottlieb Janitsch, Il Gardellino | E Major | 1 | 12B | 60 BPM | ||
| Overture (Suite) In D Major, TWV 55:D15: III. Loure | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 0 | 10B | 97 BPM | ||
| Concerto grosso in D Major, Op. 3 No. 4: II. Allegro ardito | Pietro Castrucci, Antonio Anselmi, Marco Serino, Vito Paternoster, I Musici | E Minor | 3 | 9A | 124 BPM | ||
| Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": I. Allegro ma non troppo - Allegro assai | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 2 | 3B | 126 BPM | ||
| Concerto Grosso in F Major, Op. 1, No. 1: I. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 137 BPM | ||
| Concerto 5 in A Minor, Op. 7: II. Largo-Adagio | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | E Major | 1 | 12B | 82 BPM | ||
| Concerto Grosso in D Minor, Op. 3, No. 5: IV. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | F Major | 1 | 7B | 108 BPM | ||
| Concerto in F Major, S. 235: V. Allegro | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 120 BPM | ||
| Concerto Per Oboe, Archi E Continuo In Re Minore: III. Presto | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 2 | 12A | 118 BPM | ||
| 3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: II. Corrente | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Trumpet Sonata in D Major, Z. 850: II. Adagio | Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra | B Minor | 1 | 10A | 87 BPM | ||
| Violin Sonata in E Minor, Op. 5 No. 8: III. Sarabanda. Largo | Arcangelo Corelli, Trio Corelli | E♭ Minor | 0 | 2A | 135 BPM | ||
| Flute Concerto No. 3 in C: 3. Allegro assai | Frederick the Great, Patrick Gallois, Carl Philipp Emanuel Bach Chamber Orchestra, Peter Schreier | C Major | 1 | 8B | 130 BPM | ||
| Boccherini: Cello Concerto No. 7 in G Major, G. 480: I. Allegro | Luigi Boccherini, Steven Isserlis, Ostrobothnian Chamber Orchestra, Juha Kangas | F Major | 5 | 7B | 107 BPM | ||
| Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | ||
| Mystery Sonata No. 2 "The Visitation": II. Allaman - III. Presto | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | A♭ Major | 1 | 4B | 95 BPM | ||
| Trio Sonatas, Op. 2, Trio Sonata No. 1 in E Minor: I. Adagio | Jean-Joseph Cassanéa De Mondonville, Ensemble Diderot, Johannes Pramsohler | C Major | 1 | 8B | 97 BPM | ||
| Concerto Grosso In F Major, Op. 6, No. 9: II. Allemanda: Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | F Major | 3 | 7B | 117 BPM | ||
| Concerto for Flute and Oboe in G Major, FWV L:G8: III. Allegro | Johann Friedrich Fasch, Gunther Holler, Helmut Hucke, Cappella Coloniensis, Hans-Martin Linde | E♭ Minor | 2 | 2A | 127 BPM |