"Tala Rasa Ranga - 1998 Remastered Version" by Traditional, Ravi Shankar had its release date on May 7, 2012. The duration of This song is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Tala Rasa Ranga - 1998 Remastered Version's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 53 in the song's album "The Ravi Shankar Collection". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Based on our statistics, Tala Rasa Ranga - 1998 Remastered Version's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tala Rasa Ranga - 1998 Remastered Version by Traditional, Ravi Shankar having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Missa Jubilate Deo: Agnus Die | Johann Stadlmayr, Roswitha Schmelzl, Andrea Lauren Brown, Gert Hohmann, Robert Sellier, Manuel Warwitz, Matthias Winckhler, Munich Orpheus Choir, Les Cornets Noirs, Gerd Guglhör | E Minor | 1 | 9A | 68 BPM | ||
| Sub Tuum Præsidium | Traditional, Chœur De Moines Bénedictins De l'Abbaye Santo Domingo De Silos | C Minor | 1 | 5A | 78 BPM | ||
| Eterna | Celtroya | D Minor | 5 | 7A | 116 BPM | ||
| Lully, Lullay | The Choir of All Saints' Episcopal Church | F Minor | 2 | 4A | 77 BPM | ||
| Comfort, Comfort Ye My People with Be Still My Soul | Jennifer Martin | D Major | 2 | 10B | 116 BPM | ||
| Miserere | Antonio Lotti, Cantores Minores Ensemble, Filip Hayrynen | A♭ Minor | 2 | 1A | 108 BPM | ||
| Another Me | Kira Ha | F Minor | 0 | 4A | 134 BPM | ||
| The Lute Carol (arr. W. Tortolano and L. MacTaggart for harp and choir) | William Ballet, Eric Sabatino, The United States Air Force Singing Sergeants, Lowell Graham | F Major | 4 | 7B | 118 BPM | ||
| Natus Es Parvulus (douce Nuit) | L'Accroche-Choeur, Ensemble Vocal Fribourg | D Major | 1 | 10B | 135 BPM | ||
| The Twelve Days: Greensleeves - What Child Is This? | Sue Richards, Maggie Sansone | A Minor | 1 | 8A | 127 BPM | ||
| Ave Maria | Jacques Arcadelt, Maria Choir, Bror Samuelson | E Major | 0 | 12B | 146 BPM | ||
| Пречиста Діва сина родила | Маленький хор Василія Великого | F Major | 4 | 7B | 101 BPM | ||
| Elgar: Ave Verum Corpus | Edward Elgar, Choir of New College, Oxford, Edward Higginbottom | G Major | 2 | 9B | 172 BPM | ||
| Eternal Rest | James Whitbourn, Commotio, Henry Parkes, Matthew Berry | G Major | 1 | 9B | 128 BPM | ||
| Zieh ein zu deinen Toren | Sjaella | F Major | 0 | 7B | 77 BPM | ||
| All Creatures of Our God and King (Arr. Ralph Vaughan Williams and Michael Leighton Jones) | The Choir of Trinity College, Melbourne, Australian Chamber Brass, Jonathan Bradley, Michael Leighton Jones | D Major | 2 | 10B | 114 BPM | ||
| Ay Santa Maria | Psalterium, Public Domain | G Major | 3 | 9B | 98 BPM | ||
| Ecce panis | Cappella | G Major | 2 | 9B | 122 BPM | ||
| Chtic aby spal (Sweet Mary Lulls her Babe to Sleep) [arr. P. Fiala for voice, chorus and orchestra] | Adam Václav Michna z Otradovic, Martina Jelínková, Czech Philharmonic Choir, Brno, Czech Chamber Soloists, Brno, Petr Fiala | B♭ Major | 1 | 6B | 80 BPM | ||
| Greensleeves | Traditional, London Cello Orchestra | E Minor | 1 | 9A | 88 BPM | ||
| Psalmus CXX | Otto Olsson, Goteborgs Domkyrkokoren, Gustavikoren, Ann Mari Rydberg-Fernlund | F Major | 0 | 7B | 67 BPM | ||
| No Small Wonder | The Concord Singers | E Minor | 0 | 9A | 68 BPM | ||
| Amabile Alleluia | Sarah Quartel, Reading Phoenix Choir, Christopher Hann | E♭ Major | 2 | 5B | 99 BPM | ||
| Requiem aeternam | Traditional, Chœur De Moines Bénedictins De l'Abbaye Santo Domingo De Silos | E♭ Major | 2 | 5B | 174 BPM | ||
| Adieu des bergers | Hector Berlioz, L'offrande lyrique | G Major | 4 | 9B | 83 BPM |