"As Free as You can Be" by Rebecca Barnard had its release date on October 5, 2006. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 10 in Fortified by Rebecca Barnard. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. In terms of popularity, As Free as You can Be is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of As Free as You can Be by Rebecca Barnard is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Miracle Zone | Elliott Murphy | F Major | 6 | 7B | 120 BPM | ||
| How Long? | Blackbirds FC | G Major | 6 | 9B | 102 BPM | ||
| Like A Wound | Kelli Blanchett | C Major | 3 | 8B | 130 BPM | ||
| First Do No Harm | Rob Hirst, Jim Moginie, Hamish Stuart | A Major | 5 | 11B | 118 BPM | ||
| Dead Astronaut | Matthew Azrieli | B Major | 5 | 1B | 113 BPM | ||
| Famously Dead | Logan Farmer | F♯ Minor | 4 | 11A | 81 BPM | ||
| Be Mine | Rhett Miller | B♭ Major | 3 | 6B | 102 BPM | ||
| Sundown at Francis Nash | Pete Droge | F♯ Major | 7 | 2B | 135 BPM | ||
| Broken Masterpiece | Matt Benson | D Minor | 5 | 7A | 76 BPM | ||
| Out in the Blue | Son Of The Velvet Rat, The Ghost And The Machine | F Major | 6 | 7B | 116 BPM | ||
| Can´t Stop Laughing | Andi Almqvist | F♯ Minor | 4 | 11A | 81 BPM | ||
| Beautiful Ruins | Emma Swift | G Major | 3 | 9B | 98 BPM | ||
| No Mistaking | Grant-Lee Phillips | A Major | 3 | 11B | 98 BPM | ||
| For You And Oblivion | Emma Swift | D Major | 1 | 10B | 134 BPM | ||
| Wonderful World | Tim Knol | E Major | 5 | 12B | 105 BPM | ||
| Keep It Coming | Homesick Hank | F♯ Minor | 4 | 11A | 81 BPM | ||
| The Unguarded Moment (Acoustic) | Steve Kilbey | G Minor | 9 | 6A | 128 BPM | ||
| Take The Cake | Kim Richey | F Major | 2 | 7B | 129 BPM | ||
| Fathom | Bernie Leadon | C Major | 2 | 8B | 103 BPM | ||
| The Last Great American Dynasty | David Scott | F♯ Major | 2 | 2B | 110 BPM | ||
| I Would Save You | Rocking Horse Music Club, Caroline Carter | G Major | 3 | 9B | 95 BPM | ||
| Santa Rosa Sound | Gigi Scott | C Major | 6 | 8B | 119 BPM | ||
| Tell Us A Story (Part A) | Paul Kelly | C Major | 6 | 8B | 123 BPM | ||
| I Remember Everything | The Audreys, Ryan Martin John | C Major | 1 | 8B | 98 BPM | ||
| Right Through Me | The Radar Station | C Minor | 5 | 5A | 154 BPM |