Dinah Washington's ' "Come On Home" was released on its scheduled release date, February 19, 1959. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Come On Home's duration is considered a little bit shorter than the average duration of a typical track. This song is part of What A Diff'rence A Day Makes! (Expanded Edition) by Dinah Washington. The song's track number on the album is #14 out of 16 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Come On Home is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Come On Home by Dinah Washington has a tempo of 105 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Come On Home being at 105 BPM, the half-time would be 52 BPM with a double-time of 210 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| How Long Has This Been Going On? | Dorothy Dandridge | G Major | 1 | 9B | 128 BPM | ||
| Blue & Sentimental | Lurlean Hunter | F Minor | 2 | 4A | 67 BPM | ||
| The Best Is Yet To Come - Remastered | Stacey Kent | A♭ Major | 3 | 4B | 91 BPM | ||
| Smack Dab In The Middle | Joe Williams | C Minor | 5 | 5A | 123 BPM | ||
| So Blue | Peggy Lee | A♭ Major | 3 | 4B | 127 BPM | ||
| In My Diary | Etta James | D Minor | 2 | 7A | 88 BPM | ||
| Come Rain or Come Shine | Ray Charles | E♭ Major | 2 | 5B | 120 BPM | ||
| Try A Little Tenderness | Chris Connor | F Major | 1 | 7B | 53 BPM | ||
| Body And Soul | Billie Holiday | F Minor | 2 | 4A | 82 BPM | ||
| Bill | Morgana King | G Major | 1 | 9B | 83 BPM | ||
| I'm Old Fashioned | Sarah McKenzie | A Minor | 4 | 8A | 114 BPM | ||
| Baby (You’ve Got What It Takes) (Remastered) | Brook Benton, Dinah Washington | A♭ Major | 6 | 4B | 133 BPM | ||
| There'll Be Some Changes Made | Billie Holiday | G Minor | 2 | 6A | 80 BPM | ||
| Teach Me Tonight | Nancy Wilson | A♭ Major | 2 | 4B | 82 BPM | ||
| I Ain't Gonna Play No Second Fiddle - Mono | LaVern Baker | C Major | 3 | 8B | 86 BPM | ||
| My Melancholy Baby | Dinah Shore | A Minor | 2 | 8A | 71 BPM | ||
| I Won't Cry Anymore | Dinah Washington | B♭ Major | 2 | 6B | 102 BPM | ||
| These Foolish Things | Dinah Washington | A♭ Major | 2 | 4B | 94 BPM | ||
| You Are There | Roberta Gambarini, Hank Jones | C Major | 1 | 8B | 73 BPM | ||
| Love Came On Stealthy Fingers | Irene Kral | C Major | 0 | 8B | 87 BPM | ||
| Don't Go To Strangers | Etta Jones | G Major | 1 | 9B | 129 BPM | ||
| They Can't Take That Away From Me | Fred Astaire | D♭ Major | 2 | 3B | 101 BPM | ||
| Why Don't You Believe Me? | Patti Page | D Major | 2 | 10B | 82 BPM | ||
| Don't Say Nothing at All - 2003 Remaster | Dinah Washington | G Major | 1 | 9B | 143 BPM | ||
| All of Me | Johnnie Ray | E♭ Major | 1 | 5B | 130 BPM |