Ravindra Jain's ' "Barah Bhavna" was released on its scheduled release date, November 19, 2021. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Barah Bhavna and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Barah Bhavna is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Barah Bhavna by Ravindra Jain is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Arey Dwarpalo | Manoj Mishra | A Major | 7 | 11B | 146 BPM | ||
| Ho Gai Bhor Haan Bhor | Rakesh Kala | D Major | 6 | 10B | 82 BPM | ||
| Sharda bhawani hai naam | Rakesh Tiwari | E♭ Major | 5 | 5B | 126 BPM | ||
| Thumak Chalat Ramchandra | Lata Mangeshkar | B Minor | 5 | 10A | 92 BPM | ||
| Shree Radha Mohan Shyam Shobhan | Manna Dey, Laxmikant–Pyarelal | D Major | 3 | 10B | 95 BPM | ||
| Jab Jab Dharti Par Dharam Ghata | Mahendra Kapoor, Kalyanji-Anandji | A♭ Major | 6 | 4B | 83 BPM | ||
| Are Dawarpalo | Lakhbir Singh | C Minor | 8 | 5A | 173 BPM | ||
| Geeta Gyan 19 - Mrityu Samay Jb Ye Jiv Aatama | Ravindra Jain | C Major | 1 | 8B | 141 BPM | ||
| Ye Maya Teri Bahut Kathin Hain Ram | Manoj Mishra | A♭ Major | 8 | 4B | 80 BPM | ||
| Hanuman Baan | Satish Dehra | A Minor | 4 | 8A | 92 BPM | ||
| Mere Ram Tera Naam | Chandan Dass | F Minor | 5 | 4A | 90 BPM | ||
| Karein Bhagat hon aarti mai doi biriyan | Rakesh Tiwari | A♭ Major | 5 | 4B | 117 BPM | ||
| Meri Jhopdi Ke Bhag Aaj Khul Jayenge | Sapna Vishwakarma | D♭ Major | 7 | 3B | 80 BPM | ||
| Bhole Teri Kirpa Se | Debashish Dasgupta | G Major | 5 | 9B | 82 BPM | ||
| Khatu Shyam Stuti (Hath Jod Vinti Karu Sunio Chit Lagaye) | Bhakti Bhajan Sangrah | A♭ Minor | 6 | 1A | 80 BPM | ||
| Mujhe Gale Se Lga Lo | Giriraj Kumar | D♭ Major | 8 | 3B | 110 BPM | ||
| Shree Ram Stuti | Nitin Mukesh | G Minor | 5 | 6A | 101 BPM | ||
| Shree Shiv Panchakshram Stotram | Pujya Bhaishree Rameshbhai Ojha | E♭ Major | 5 | 5B | 125 BPM | ||
| Main To Bhole Baba Diwana Tere Naam Ka | Udit Narayan | D♭ Minor | 5 | 12A | 102 BPM | ||
| Shri Ram Chandra Kripalu | Seema Mishra | F♯ Major | 6 | 2B | 115 BPM | ||
| Racha Hain Srushti Ko Jis Prabhu Ne | Manoj Mishra | F Minor | 7 | 4A | 110 BPM | ||
| Nagri Ho Ayodhya Si | Prakash Gandhi | A♭ Major | 8 | 4B | 90 BPM | ||
| Jai Shail Sute Sambhu Nute Deepachan Sweekaro | Chandrani Mukherjee, Hemlata | A Minor | 4 | 8A | 94 BPM | ||
| Hum Ram Ji Ke Ram Ji Hamare Hai | Prem Bhushan Maharaj | D Major | 4 | 10B | 139 BPM | ||
| Yahan Wahan Jahan Wahan | Mahendra Kapoor | B♭ Minor | 9 | 3A | 80 BPM |