Close Enemies's 'More Than I Could Ever Need' had a release date set for August 8, 2025. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in More Than I Could Ever Need and no other songs are present in the album, we classify this track as a single. On top of that, United States appears to be the country where this track was created. In terms of popularity, More Than I Could Ever Need is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of More Than I Could Ever Need by Close Enemies to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wouldn't It Be Good | The Clarks | A Major | 4 | 11B | 130 BPM | ||
| Miles Between Us | The Soul Revival | D♭ Major | 8 | 3B | 148 BPM | ||
| Finbar | Kerry Kenny Band | F Major | 10 | 7B | 106 BPM | ||
| Equality | Spectre Tapes | A Minor | 7 | 8A | 77 BPM | ||
| Invincible | Austin Gold | G Major | 6 | 9B | 80 BPM | ||
| Damn the Judgment | Stephen Jaymes | G Major | 8 | 9B | 111 BPM | ||
| Blackfoot | The Stacys | F Major | 10 | 7B | 150 BPM | ||
| Last Fall | Deraps | A♭ Major | 9 | 4B | 138 BPM | ||
| Making Up For Lost Time | 38 Special | F♯ Major | 9 | 2B | 120 BPM | ||
| Not Enough | A New Tomorrow | D♭ Major | 9 | 3B | 160 BPM | ||
| Lay It on The Line | Triumph, Dee Snider | G Minor | 9 | 6A | 186 BPM | ||
| The Fire And The Flame | Black Swan | D♭ Major | 9 | 3B | 146 BPM | ||
| The Main Thing | 38 Special | A Major | 10 | 11B | 137 BPM | ||
| Love At All | Gerson Marta | C Minor | 6 | 5A | 75 BPM | ||
| What Living Is For | George Collins Band | A Major | 4 | 11B | 130 BPM | ||
| My Kind of Crazy | The Bones, Phil X | A Major | 4 | 11B | 130 BPM | ||
| IF I SAY | Frankie Muriel | B Major | 8 | 1B | 90 BPM | ||
| Heart Beats On | Electric Mud | E Major | 8 | 12B | 118 BPM | ||
| Arrowgirl | Neon Alley | A Major | 4 | 11B | 130 BPM | ||
| Leave Your Heart At The Door | Joseph H Dean | B Major | 8 | 1B | 123 BPM | ||
| Real Estate DJ | Spectre Tapes | G Major | 5 | 9B | 136 BPM | ||
| Turning and a Burning | Pete Davies | A Major | 4 | 11B | 130 BPM | ||
| Red Lights | Ty Wood | G Major | 7 | 9B | 89 BPM | ||
| Ten Below Zero | Jericho Six | A♭ Minor | 8 | 1A | 110 BPM | ||
| Walk Away | Tesla | D♭ Major | 9 | 3B | 104 BPM |