On August 9, 2024, the song "Sonate e Partite: No. 53, Allegro giusto (Recomposed by Luca Astolfoni Fossi)" was released by Francesco Lecce, Claudio Ferrarini. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Sonate e Partite: No. 53, Allegro giusto (Recomposed by Luca Astolfoni Fossi)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 20 in Francesco Lecce: 67 Sonate e Partite, No. 51 - 67. Works for Unaccompanied Violin Recomposed for Solo Flute & Mandolin Concerto in G Major Recomposed for solo flute by Luca Astolfoni Fossi, Book III by Francesco Lecce, Claudio Ferrarini. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Sonate e Partite: No. 53, Allegro giusto (Recomposed by Luca Astolfoni Fossi) is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Sonate e Partite: No. 53, Allegro giusto (Recomposed by Luca Astolfoni Fossi) by Francesco Lecce, Claudio Ferrarini is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in G Minor, No. 6: IV. Allegro | Tomaso Albinoni, Ensemble 415, Chiara Banchini | A♭ Major | 3 | 4B | 132 BPM | ||
| 12 Concerti et sinphonie, Op. 1, Violin Concerto No. 4 in E Minor: I. Allegro | Giuseppe Antonio Brescianello, David Plantier, La Cetra Barockorchester Basel, Vaclav Luks | A♭ Major | 2 | 4B | 131 BPM | ||
| Trio Sonata in C Major, BuxWV 256: V. Adagio - Allegro | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM | ||
| Concerto a cinque No. 5, Op. 9: III. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | B Major | 3 | 1B | 109 BPM | ||
| Mandolin Concerto in G Major: I. Allegro | Francesco Lecce, Raffaele La Ragione, Il Pomo D'oro, Francesco Corti | F♯ Major | 2 | 2B | 124 BPM | ||
| Serenade in C Major, K. 648 "A Very Little Night Music" (Version for Orchestra): VI. Menuet [II] – Trio | Wolfgang Amadeus Mozart, Sebastian Breuninger, Peter Gerlach, Felix Leissner, Oscar Jockel, Herbert Blomstedt | C Major | 1 | 8B | 117 BPM | ||
| Concerto for Three Harpsichords, Strings and Continuo in D Minor, BWV 1063: II. Alla Siciliana | Johann Sebastian Bach, Bertrand Cuiller, Jean-Luc Ho, Pierre Gallon, Le Caravansérail | E Major | 2 | 12B | 103 BPM | ||
| Violin Sonata in G Major, Op. 5, No. 12: III. Largo | Jean-Marie Leclair, Trio Settecento | D Minor | 1 | 7A | 105 BPM | ||
| Concerto a 7 in G Major - 2 Oboes, 2 Violins, 2 Violas & B.C., Seibel 214: Allegro (1) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | F♯ Major | 3 | 2B | 116 BPM | ||
| Purcell, D: 6 Sonatas or Solos: Flute Sonata No. 2 in D Minor: I. Adagio | Daniel Purcell, Jean-Pierre Rampal, Robert Veyron-Lacroix | F Major | 2 | 7B | 68 BPM | ||
| Purcell: Dido and Aeneas, Z. 626: Overture | Henry Purcell, Jupiter, Thomas Dunford | B Minor | 1 | 10A | 68 BPM | ||
| Handel: Theodora, HWV 68: Overture | George Frideric Handel, Maxim Emelyanychev, Il Pomo D'oro | D♭ Major | 1 | 3B | 98 BPM | ||
| Suite in A minor, for Recorder, Strings & Continuo, TWV 55:a2: Passepied I-II | Georg Philipp Telemann, Michala Petri, Academy of St. Martin in the Fields, Iona Brown | A Minor | 0 | 8A | 108 BPM | ||
| Concerto for Violoncello and Orchestra in D major: V. Fuga | Leonardo Leo, Sol Gabetta, Andrés Gabetta | D Major | 2 | 10B | 152 BPM | ||
| Concerto grosso No. 2 in G Major: III. Andante (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | G Minor | 1 | 6A | 116 BPM | ||
| J.S. Bach: Goldberg Variations, BWV 988 (Arr. for Chamber Orchestra by Alexander Vittal): Var. 4 | Johann Sebastian Bach, Baroque Chamber Orchestra of Colorado, Cynthia Miller Freivogel | E Major | 1 | 12B | 126 BPM | ||
| Organ Concerto No. 5 in F, Op. 4 No. 5 HWV 293: 3. Alla siciliana | George Frideric Handel, Accademia Bizantina, Ottavio Dantone | A♭ Major | 0 | 4B | 119 BPM | ||
| Concerto In D Major, Op. 26, No. 6: 2. Largo | Joseph Bodin de Boismortier, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 97 BPM | ||
| I - Grave from: Concerto No. 1 in f minor | Accademia Bizantina | E Minor | 1 | 9A | 108 BPM | ||
| Cello Sonata in C Major, Op. 5 No. 3, H. 105: I. Andante | Francesco Geminiani, Andreas Gilger, Adrian Cygan | B Major | 1 | 1B | 92 BPM | ||
| Keyboard Concerto in G Minor, Wq. 6, H. 409: I. Allegro | Carl Philipp Emanuel Bach, Gerald Hambitzer, Concerto Köln | D Major | 0 | 10B | 96 BPM | ||
| Concerto in D Minor, Op. 6 No. 3: II. Allegro spiritoso | Charles Avison, Café Zimmermann | G Major | 1 | 9B | 120 BPM | ||
| Sonate e Partite: No. 37, Andantino | Francesco Lecce, Claudio Ferrarini | C Major | 2 | 8B | 67 BPM | ||
| Symphony in D Minor, J-C 23: III. Presto | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 131 BPM | ||
| Mystery Sonata No. 7 "The Scourging at the Pillar": I. Allamanda | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | B Major | 0 | 1B | 97 BPM |