"Midnight Research" by Amie Doherty had its release date on September 13, 2019. With This song being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "Undone (An Amazon Original Series Soundtrack)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Midnight Research is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Midnight Research by Amie Doherty having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Plus One | Amie Doherty | D♭ Major | 3 | 3B | 74 BPM | ||
| A Place Like This | Mike Higham, Matthew Margeson | G Minor | 1 | 6A | 120 BPM | ||
| Spirit Portal | Jack Dalton | D♭ Major | 2 | 3B | 119 BPM | ||
| The Alpha | Sarah Schachner | D Major | 1 | 10B | 138 BPM | ||
| The Darkest of Days | Piotr Musiał | F Minor | 3 | 4A | 87 BPM | ||
| Mia Storm Pillar Suite | Nicolas Snyder | D Major | 2 | 10B | 170 BPM | ||
| Harmonic Convergence | Jack Dalton | G Minor | 1 | 6A | 115 BPM | ||
| Nandor Fodor Main Theme | Bill Prokopow | G Minor | 3 | 6A | 88 BPM | ||
| Ogumo| Cruel Mother | Junkie XL | F♯ Minor | 5 | 11A | 94 BPM | ||
| Red Eyes | Atli Örvarsson, Kjartan Holm, Sin Fang | G Minor | 1 | 6A | 130 BPM | ||
| And Then There Were None | Stuart Earl | C Minor | 4 | 5A | 87 BPM | ||
| Maria's Room | Christian Henson | B Major | 2 | 1B | 122 BPM | ||
| Together We Fight | Daniel Pemberton | D Minor | 5 | 7A | 110 BPM | ||
| Oriel - from "Dungeons & Dragons: The Queen's Cradle" | Maxime Hervé | D Major | 4 | 10B | 115 BPM | ||
| Trespassers | chuck e. myers 'sea', Hogwarts Legacy | A♭ Major | 4 | 4B | 121 BPM | ||
| Johanna & Rachel | David Buckley | E Major | 1 | 12B | 78 BPM | ||
| Trippin in a Real World | Andy Maranell, Andy Mardan | E Minor | 0 | 9A | 74 BPM | ||
| The Calling | Jack Dalton | B♭ Major | 9 | 6B | 120 BPM | ||
| Rivales Y Ganadores | Valores Especiales | A Minor | 3 | 8A | 108 BPM | ||
| Eroi | Sagrifizio | G Minor | 1 | 6A | 120 BPM | ||
| Mirage Theme - Menu Version | Brendan Angelides, Assassin's Creed, Layth Sidiq | D Major | 2 | 10B | 173 BPM | ||
| Salma | Amie Doherty | E Major | 1 | 12B | 87 BPM | ||
| Miriam's Memory | chuck e. myers 'sea', Hogwarts Legacy | G Major | 1 | 9B | 172 BPM | ||
| Going Through the Motions | Christophe Beck, Michael Paraskevas | F♯ Minor | 1 | 11A | 75 BPM | ||
| Snowdrop | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 1 | 8B | 83 BPM |