"Reconciliation - Instrumental" by Randy Edelman had its release date on July 1, 1995. This song is about six minutes long, preciously at 6:25, making this song fairly long compared to other songs. There are a total of 14 in the song's album "The Indian in the Cupboard". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. The popularity of Reconciliation - Instrumental is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Reconciliation - Instrumental by Randy Edelman having a BPM of 171 with a half-time of 86 BPM and a double-time of 342 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Palace | Guy Farley | A Minor | 1 | 8A | 119 BPM | ||
| Star Wars: Attack of the Clones: Across the Stars | Royal Philharmonic Orchestra | C Minor | 2 | 5A | 82 BPM | ||
| Abandon Ship | Roque Baños | F Minor | 3 | 4A | 92 BPM | ||
| The Connection - Dragonheart/Soundtrack Version | Randy Edelman | F Major | 1 | 7B | 80 BPM | ||
| Main Title / Prologue | William Ross | A Minor | 3 | 8A | 108 BPM | ||
| Passing The Flame | James Shearman | C Major | 2 | 8B | 83 BPM | ||
| Building The Barn - From "Witness" | Maurice Jarre | A♭ Major | 2 | 4B | 83 BPM | ||
| Two Brothers | Anne Dudley, The Quartet Of London | E Minor | 1 | 9A | 112 BPM | ||
| Finale | Randy Edelman | A♭ Major | 6 | 4B | 175 BPM | ||
| End Titles | Rachel Portman | E Minor | 2 | 9A | 122 BPM | ||
| It's a Life | Burkhard Dallwitz | E Major | 2 | 12B | 120 BPM | ||
| After The Explosion | Fernando Velázquez | G Minor | 2 | 6A | 72 BPM | ||
| A Miraculous Return | Rupert Gregson-Williams | E Minor | 3 | 9A | 136 BPM | ||
| The Human Spirit | Harald Kloser | F Major | 1 | 7B | 75 BPM | ||
| Sisters | Amelia Warner | C Major | 2 | 8B | 67 BPM | ||
| These Things We Do, That Others May Live (End Credits) | Philip Klein | C Major | 1 | 8B | 86 BPM | ||
| Story Of My Life | The Chamber Orchestra Of London | F Minor | 1 | 4A | 86 BPM | ||
| The Eternal Vow | Tan Dun, Yo-Yo Ma, Chen Xie Yang, David Cossin, Shanghai Symphony Orchestra, Shanghai National Orchestra | D Minor | 0 | 7A | 83 BPM | ||
| Feast of Starlight | Howard Shore | D Major | 0 | 10B | 135 BPM | ||
| Homer's Lessons - Instrumental | Rachel Portman, John Lenehan, David Snell | G Major | 0 | 9B | 78 BPM | ||
| Solo en Casa / La Llegada de Papá | Fernando Velázquez | A♭ Major | 1 | 4B | 78 BPM | ||
| The Endless River | Anne Dudley | D♭ Minor | 2 | 12A | 79 BPM | ||
| Homecoming | Thomas Bergersen | C Minor | 6 | 5A | 117 BPM | ||
| The World Turned Upside Down - Pt. 2 | Laurent Eyquem | B♭ Major | 0 | 6B | 71 BPM | ||
| Epilogue | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 0 | 8B | 0 BPM |