"The Witch Trials" by Peter Gundry had its release date on July 21, 2017. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "The Witching Hour". In this album, this song's track order is #13. Based on our statistics, The Witch Trials's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Witch Trials by Peter Gundry having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Blood Countess | Karliene Reynolds, Karliene | G Minor | 3 | 6A | 80 BPM | ||
| They Watch With Closed Eyes | Autumn Tears | D Major | 3 | 10B | 130 BPM | ||
| Endless | Jose Carlos, Jose | C Major | 2 | 8B | 95 BPM | ||
| Hypnos | Daemonia Nymphe | B♭ Minor | 2 | 3A | 126 BPM | ||
| Waltz Diabolico | Joon-hyung Park | F Minor | 3 | 4A | 138 BPM | ||
| Entrelacs | Artesia | F Major | 4 | 7B | 100 BPM | ||
| Invocation | Peter Gundry | B♭ Minor | 3 | 3A | 160 BPM | ||
| Purple Harmony | Yopy Mystic | D♭ Minor | 5 | 12A | 108 BPM | ||
| Artemisia | Hexperos | D Major | 2 | 10B | 118 BPM | ||
| Master of Death | Peter Gundry | D Minor | 3 | 7A | 120 BPM | ||
| And The Avarice | Rising Shadows | A Major | 2 | 11B | 74 BPM | ||
| Introitus ad Nihilum | Fabrizio Brugnera, The Dark Philosophy of Cosmicism | A♭ Minor | 3 | 1A | 48 BPM | ||
| Lying on the Grey Foam | Artesia | C Minor | 4 | 5A | 115 BPM | ||
| The Arrival | Rajna | A♭ Major | 5 | 4B | 66 BPM | ||
| Enemies to Lovers | Joshua Kyan Aalampour | D Major | 3 | 10B | 107 BPM | ||
| Beginning to End: Act III | Hendyamps Studios | C Minor | 2 | 5A | 83 BPM | ||
| Aerial | Artesia | C Minor | 2 | 5A | 79 BPM | ||
| Seven for a Secret (Not to Be Told) | Meadows at Night | C Major | 3 | 8B | 110 BPM | ||
| Secret of Mermaid | Yopy Mystic | F Major | 2 | 7B | 144 BPM | ||
| What Hides in the Dark | Lynn Tredeau | D♭ Minor | 0 | 12A | 128 BPM | ||
| Finale | Fernando Velázquez | E♭ Major | 4 | 5B | 90 BPM | ||
| Ancient Forest | June Westfield | G Major | 3 | 9B | 138 BPM | ||
| The Seventh Seer | Peter Gundry | C Minor | 2 | 5A | 98 BPM | ||
| Wanderings | Artesia | G Minor | 4 | 6A | 82 BPM | ||
| Quand vient la nuit | Artesia | A♭ Major | 4 | 4B | 100 BPM |