"3 Quartets" by Michael Nyman had its release date on September 5, 2011. This song appears to be safe for all ages as it is not explicit. There are a total of 13 in the song's album "String Quartet No.4; Three Quartets". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, 3 Quartets's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 3 Quartets by Michael Nyman having a BPM of 147 with a half-time of 74 BPM and a double-time of 294 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Because This Must Be | Nils Frahm | C Minor | 1 | 5A | 133 BPM | ||
| Façades | Christopher Warren-Green, London Chamber Orchestra, John Harle, Simon Haram | B♭ Major | 1 | 6B | 84 BPM | ||
| Alone | James Spiteri | E Major | 1 | 12B | 66 BPM | ||
| They Were Starting to Like Me | David Hirschfelder | G Minor | 1 | 6A | 115 BPM | ||
| Shift | Nereano | F Minor | 2 | 4A | 59 BPM | ||
| Concert Grosso for String Orchestra "Palladio": Allegretto | Karl Jenkins, Ara Malikian | D Minor | 4 | 7A | 88 BPM | ||
| ivory morning | eire music | E♭ Major | 1 | 5B | 132 BPM | ||
| Passend | Wim Mertens | F♯ Major | 2 | 2B | 163 BPM | ||
| White Flowers Take Their Bath | Meredi, Mari Samuelsen, Scoring Berlin, Jonathan Stockhammer | A Major | 1 | 11B | 97 BPM | ||
| Hungry Piano | Nicola Piovani | G Major | 1 | 9B | 73 BPM | ||
| La lettre de Frantz | Philippe Rombi | B♭ Minor | 1 | 3A | 171 BPM | ||
| Wolf Hall | Debbie Wiseman | G Major | 2 | 9B | 105 BPM | ||
| Home, Pt. III | Armand Amar | D♭ Minor | 4 | 12A | 200 BPM | ||
| Camilla's Theme (Roque Baños Plays) | Roque Baños | D♭ Minor | 0 | 12A | 66 BPM | ||
| Spiegel im Spiegel, for Cello & Piano | Arvo Pärt, Sebastian Klinger, Jürgen Kruse | F Major | 0 | 7B | 84 BPM | ||
| The Cloud Atlas Sextet for Orchestra | Tom Tykwer, Johnny Klimek, Reinhold Heil, Gene Pritsker | D♭ Major | 3 | 3B | 128 BPM | ||
| The Heart Asks Pleasure First / The Promise - Edit | Michael Nyman | A Minor | 3 | 8A | 177 BPM | ||
| Giverny Rapsody | Remo Anzovino | F♯ Minor | 3 | 11A | 135 BPM | ||
| Basically Flying | Kevin Smuts | A Minor | 1 | 8A | 82 BPM | ||
| Casa con ventanas y libros - From "La flor de mi secreto" | Alberto Iglesias | B Minor | 2 | 10A | 79 BPM | ||
| Jusqu'au bout | Armand Amar | G Minor | 1 | 6A | 180 BPM | ||
| Moonlight | Mari Samuelsen | D♭ Minor | 3 | 12A | 85 BPM | ||
| Transformation | The Cinematic Orchestra, London Metropolitan Orchestra | F♯ Major | 2 | 2B | 92 BPM | ||
| The Eternal Vow | Tan Dun, Yo-Yo Ma, Chen Xie Yang, David Cossin, Shanghai Symphony Orchestra, Shanghai National Orchestra | D Minor | 0 | 7A | 83 BPM | ||
| fields of forever | Chad Lawson, Peter Gregson, Esther Yoo, James Southall | E Minor | 0 | 9A | 65 BPM |