On January 1, 1992, the song "Introduction, Theme and Variations for Clarinet and Orchestra in E-Flat Major - Cadenza: Charles Neidich: Var. I: Più mosso" was released by Gioachino Rossini, Charles Neidich, Orpheus Chamber Orchestra. With This song being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Weber: Clarinet Concertos / Rossini: Introduction, Theme and Variations by Charles Neidich, Orpheus Chamber Orchestra. The song's track number on the album is #9 out of 16 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Introduction, Theme and Variations for Clarinet and Orchestra in E-Flat Major - Cadenza: Charles Neidich: Var. I: Più mosso is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Introduction, Theme and Variations for Clarinet and Orchestra in E-Flat Major - Cadenza: Charles Neidich: Var. I: Più mosso by Gioachino Rossini, Charles Neidich, Orpheus Chamber Orchestra has a tempo of 106 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Introduction, Theme and Variations for Clarinet and Orchestra in E-Flat Major - Cadenza: Charles Neidich: Var. I: Più mosso being at 106 BPM, the half-time would be 53 BPM with a double-time of 212 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Die Meistersinger Von Nurnberg (The Mastersingers Of Nuremberg): Wach Auf! | Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Richard Wagner | G Major | 2 | 9B | 112 BPM | ||
| 8 Slavonic Dances, Op. 72, B. 147: 5. Spacírka. Poco Adagio - Vivace | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | D♭ Major | 4 | 3B | 84 BPM | ||
| Carmina Burana / Fortuna Imperatrix Mundi: "Fortune plango vulnera" | Carl Orff, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | D Minor | 2 | 7A | 123 BPM | ||
| The Stars And Stripes Forever | Slovak Radio Symphony Orchestra, John Philip Sousa | D Major | 4 | 10B | 129 BPM | ||
| Semiramide: Sinfonia | Gioachino Rossini, Alex Penda, Marianna Pizzolato, Lorenzo Regazzo, John Osborn, Andrea Mastroni, Marija Jokovic, Vassilis Kavayas, Raffaele Facciola, Poznan Camerata Bach Choir, Virtuosi Brunensis, Antonino Fogliani | A Major | 2 | 11B | 77 BPM | ||
| La Cenerentola / Act 2: "Son qui" | Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Gloria Banditelli, Fernanda Costa, Enzo Dara, Alessandro Corbelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E♭ Major | 1 | 5B | 122 BPM | ||
| Die Worte des Erlösers am Kreuze, Hob. XX:1: IX. Il Terremoto | Joseph Haydn, Metamorphose String Orchestra, Pavel Lyubomudrov | G Major | 5 | 9B | 155 BPM | ||
| Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
| String Quintet in E Major, Op. 13, No. 5: III. Minuetto | Luigi Boccherini, Lazar Gosman | A Major | 1 | 11B | 99 BPM | ||
| Marche slave, Op. 31, TH 45 | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | B♭ Minor | 4 | 3A | 109 BPM | ||
| Carmina Burana: VI. Dance | Carl Orff, Orchester der Deutschen Oper Berlin, Eugen Jochum | F Major | 2 | 7B | 139 BPM | ||
| La Traviata: Act I: Libiamo ne' lieti calici | Giuseppe Verdi, Montserrat Caballé, Carlo Bergonzi, Georges Prêtre, RCA Italiana Opera Chorus, RCA Italiana Opera Orchestra, Fernando Iacopucci, Dorothy Krebill, Harold Enns, Gene Boucher, Sherrill Milnes, Thomas Jamerson, Nancy Stokes, Camillo Sforza, Franco Ruta, Flavio Tasin | C Major | 4 | 8B | 70 BPM | ||
| Vienna Blood - Waltz Op. 354 | Johann Strauss II, Hallé, Bryden Thomson | C Major | 0 | 8B | 178 BPM | ||
| Tannhauser, Act III: Begluckt darf nun dich, o Heimat, ich schauen ("Pilgrims' Chorus") | Richard Wagner, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Johannes Wildner | D Major | 4 | 10B | 129 BPM | ||
| Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | E Major | 1 | 12B | 82 BPM | ||
| Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
| Habanera (From “Carmen”, WD. 31) | Katherine Jenkins, The Arcadian Ensemble | D Major | 1 | 10B | 133 BPM | ||
| String Quintet E, Op.13, No.5: 3. Menuetto | Luigi Boccherini, I Musici | A Major | 0 | 11B | 83 BPM | ||
| Le veau d'or - from Faust | Charles Gounod, Erwin Schrott, Daniele Rustioni | C Minor | 5 | 5A | 121 BPM | ||
| The Four Seasons, Violin Concerto No. 2 in G Minor, RV 315 "L'estate": III. Tempo impetuoso d'estate | Antonio Vivaldi, Europa Galante, Fabio Biondi | F♯ Major | 6 | 2B | 85 BPM | ||
| La traviata, Act I: Follie! Follie! – Sempre libera "Cabaletta" | Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Bavarian State Orchestra, Carlos Kleiber | A♭ Major | 1 | 4B | 117 BPM | ||
| Carmen Ballet Suite (after Bizet): IX. Torero | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | F Major | 5 | 7B | 115 BPM | ||
| M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
| Bizet: Carmen, WD 31, Act 1: "Sur la place, chacun passe" (Chœur, Moralès) | Georges Bizet, Michel Plasson, Les Éléments, Ludovic Tezier, Orchestre National Du Capitole De Toulouse | B♭ Major | 1 | 6B | 107 BPM | ||
| Wilhelm Tell-Galoppe, Op. 29b | Johann Strauss I, Slovak Sinfonietta, Zilina, Ernst Marzendorfer | C Major | 1 | 8B | 155 BPM |