"Ruby" by The Mirror Has Two Faces (Soundtrack) had its release date on October 15, 1996. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 24 in the song's album "The Mirror Has Two Faces - Music From The Motion Picture". In this album, this song's track order is #19. Furthermore, we believe that the track originated from United States. In terms of popularity, Ruby is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ruby by The Mirror Has Two Faces (Soundtrack) having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Now, Voyager | Charles Gerhardt, National Philharmonic Orchestra | A Major | 3 | 11B | 101 BPM | ||
| Phone Call Soliloquy - Instrumental | Terence Blanchard, Dave Grusin, Harvey Mason, John Patitucci | E Minor | 0 | 9A | 65 BPM | ||
| Mr. Chambers | John Lunn | F Major | 3 | 7B | 78 BPM | ||
| Bulan | Silas Moreau | C Major | 0 | 8B | 165 BPM | ||
| Time After Time - Instrumental | Alexandre Desplat | F♯ Major | 2 | 2B | 76 BPM | ||
| Grown Up Conversation | Theodore Shapiro | G Major | 1 | 9B | 96 BPM | ||
| Herodotus | Academy of St. Martin in the Fields, Gabriel Yared | C Major | 2 | 8B | 54 BPM | ||
| Pam | National Philharmonic Orchestra | G Major | 1 | 9B | 134 BPM | ||
| Lara Says Goodbye to Yuri (Lara's Theme) | Maurice Jarre | G Major | 2 | 9B | 90 BPM | ||
| Amarcord: Theme | Nino Rota, Marco Albonetti, Roma Sinfonietta, Paolo Silvestri | B♭ Major | 0 | 6B | 68 BPM | ||
| To All The Ships At Sea | Gabriel Yared | D Minor | 2 | 7A | 82 BPM | ||
| The Handsome Mr. Barber | John Lunn, The Chamber Orchestra Of London | A Minor | 2 | 8A | 83 BPM | ||
| The Deer Hunter (Main Title) | Stanley Myers, London Symphony Orchestra, Stanley Black | E Major | 0 | 12B | 80 BPM | ||
| Cortege | John Lunn, The Chamber Orchestra Of London | A Minor | 2 | 8A | 83 BPM | ||
| Cinema Paradiso | Monica Mancini | E♭ Major | 3 | 5B | 109 BPM | ||
| Geppetto Creates | Jan A.P. Kaczmarek | A Minor | 3 | 8A | 108 BPM | ||
| Like Pretty | Barbra Streisand | A Major | 0 | 11B | 68 BPM | ||
| The Dating Montage | The Mirror Has Two Faces (Soundtrack) | C Major | 3 | 8B | 76 BPM | ||
| The Moment Of Truth - From "Fabulous Baker Boys" Soundtrack | Dave Grusin | D Minor | 1 | 7A | 162 BPM | ||
| Moonglow And Love Theme | George Dunning, Morris Stoloff | B♭ Major | 2 | 6B | 99 BPM | ||
| Around the World – Part I | Victor Young, United Artists Studio Orchestra | E♭ Major | 3 | 5B | 130 BPM | ||
| Sentimental Walk | Ennio Morricone | E Major | 1 | 12B | 50 BPM | ||
| Facebook Friends | Theodore Shapiro | E Major | 1 | 12B | 80 BPM | ||
| The Verdict | George Fenton | F Minor | 6 | 4A | 116 BPM | ||
| Longing for Love Again | Cho Young-Wuk | B♭ Major | 2 | 6B | 120 BPM |