"Zuul Part 2" by Elmer Bernstein had its release date on June 7, 2019. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Elmer Bernstein's "Ghostbusters (Original Motion Picture Score)" album is number 19 out of 37. On top of that, United States appears to be the country where this track was created. Zuul Part 2 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Zuul Part 2 by Elmer Bernstein to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Main Title / Trinity Infinity - From "The Matrix" | Don Davis | E Minor | 5 | 9A | 136 BPM | ||
| Tracy Island and Thunderbirds Are Go! | Barry Gray | D Major | 8 | 10B | 124 BPM | ||
| Emperor Waltz Op 437 / Tales From The Vienna Woods(Excerpts) | Johann Strauss II, London Philharmonic Orchestra, Elmer Bernstein | C Major | 2 | 8B | 0 BPM | ||
| Wide Horizon / Ice Floe | Pierre Arvay | C Major | 2 | 8B | 92 BPM | ||
| Hawaii Five-O | Mort Stevens And His Orchestra | D Minor | 6 | 7A | 90 BPM | ||
| Atticus Accepts The Case / Roll In The Tire | Elmer Bernstein | F Major | 1 | 7B | 86 BPM | ||
| The Far Side of the World | Iva Davies, Richard Tognetti, Christopher Gordon | C Major | 3 | 8B | 132 BPM | ||
| Opening Titles - From How the West Was Won 1962 | Alfred Newman | D Major | 7 | 10B | 120 BPM | ||
| Star Trek VI Suite - Star Trek VI/Soundtrack Version | Cliff Eidelman | C Major | 3 | 8B | 70 BPM | ||
| Winger | Elmer Bernstein | F Major | 6 | 7B | 112 BPM | ||
| Rough Flight | John Ottman | E Minor | 4 | 9A | 85 BPM | ||
| A Wishing Doll | Elmer Bernstein, Marc Johnson, Bill Frisell, John Scofield, Peter Erskine | B Minor | 1 | 10A | 126 BPM | ||
| Medley (Laszlo / As Time Goes By / Orders / Die Wacht Am Rhein / Motor / Ilsa Returns / Telephone / Deutschland Über Alles / La Marseillaise / Plane) | The Warner Bros. Studio Orchestra | F Major | 2 | 7B | 99 BPM | ||
| Main Title (From "Rebel Without a Cause") | Leonard Rosenman | E Minor | 1 | 9A | 76 BPM | ||
| James Bond Theme | Monty Norman | E Minor | 3 | 9A | 70 BPM | ||
| Cliffhanger Theme | Trevor Jones | D Major | 4 | 10B | 89 BPM | ||
| Not Goin' Home Anymore - From "Butch Cassidy And The Sundance Kid" Soundtrack | Burt Bacharach | E♭ Major | 1 | 5B | 97 BPM | ||
| Building The Barn - From "Witness" | Maurice Jarre | A♭ Major | 2 | 4B | 83 BPM | ||
| Around the World – Part I | Victor Young, United Artists Studio Orchestra | E♭ Major | 3 | 5B | 130 BPM | ||
| Recortes | Armonias | A Major | 5 | 11B | 119 BPM | ||
| Daphne's Island | Original Soundtrack | C Major | 4 | 8B | 120 BPM | ||
| Repentes | Armonias | A Major | 2 | 11B | 144 BPM | ||
| A River Runs Through It | Mark Isham | G Major | 4 | 9B | 133 BPM | ||
| Mr. Chambers | John Lunn | F Major | 3 | 7B | 78 BPM | ||
| Whicker's World | Graham De Wilde | D Minor | 4 | 7A | 126 BPM |