"The Streets Are Long-Ass Gutters" by Paul Leonard-Morgan had its release date on December 11, 2020. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. The Streets Are Long-Ass Gutters's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 37 in Cyberpunk 2077 - Original Score by Marcin Przybyłowicz, P.T. Adamczyk, Paul Leonard-Morgan. Going off of the ISRC code of this track, we detected that the origin of this track is from Poland. Based on our statistics, The Streets Are Long-Ass Gutters's popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Streets Are Long-Ass Gutters by Paul Leonard-Morgan is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Frostbite Pillars | Johan Skugge, Jukka Rintamäki | D Major | 10 | 10B | 132 BPM | ||
| Kill Kill | Le Destroy, The Bait | C Major | 9 | 8B | 100 BPM | ||
| Stackoverflow | Blue Stahli, Clockwork OS | G Major | 7 | 9B | 128 BPM | ||
| Disturbed Lines | LudoWic | F Minor | 7 | 4A | 81 BPM | ||
| High Pressure | Shoi Miyazawa | B Minor | 8 | 10A | 86 BPM | ||
| Brothers Dead, Only Kahl | Keith Power, Digital Extremes Ltd., Matthew Chalmers | B Major | 9 | 1B | 180 BPM | ||
| The Core | Chris Tilton | E Minor | 0 | 9A | 65 BPM | ||
| Stem is the One | Jed Palmer | E Minor | 1 | 9A | 120 BPM | ||
| Hub | Boogrov, Zoanoid, Atomic Heart | A Major | 8 | 11B | 180 BPM | ||
| The Plan | Paul Leonard-Morgan | F♯ Minor | 5 | 11A | 95 BPM | ||
| Oppression | Johan Skugge, Jukka Rintamäki | A Major | 4 | 11B | 180 BPM | ||
| The Voice In My Head | P.T. Adamczyk | B Minor | 3 | 10A | 131 BPM | ||
| Lucky You | Akira Yamaoka | B♭ Major | 1 | 6B | 124 BPM | ||
| Run Grey Run | Jed Palmer | D♭ Minor | 4 | 12A | 180 BPM | ||
| Ballroom | Ola Strandh | D Major | 8 | 10B | 144 BPM | ||
| Neon Tomb (Club) | Zack Bower | C Major | 2 | 8B | 94 BPM | ||
| Prison Air 1 | LudoWic | A♭ Major | 5 | 4B | 109 BPM | ||
| Ash - Bonus Track | Stephen Barton | F Major | 5 | 7B | 92 BPM | ||
| Chitinous Swarm | Steve Molitz | C Minor | 4 | 5A | 77 BPM | ||
| Spiderbot - Instrumental | Head Splitter | A Major | 8 | 11B | 128 BPM | ||
| Son of a Microchip | 505 Games, Dan Terminus | G Major | 8 | 9B | 102 BPM | ||
| The Tattoo | Jed Palmer | A Major | 0 | 11B | 120 BPM | ||
| Judge, Jury and Excecutioner | Paul Leonard-Morgan | G Major | 5 | 9B | 108 BPM | ||
| Simple Pleasures | Kid Moxie, Jänsens | G Minor | 7 | 6A | 125 BPM | ||
| Alone in the White | Ola Strandh | G Minor | 4 | 6A | 90 BPM |