"Code 187" by Elliot Goldenthal had its release date on January 1, 1993. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 15 out of 16 in Demolition Man (The Original Orchestral Score) by Elliot Goldenthal. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Code 187 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Code 187 by Elliot Goldenthal is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cello Groove | Laurent Dury, ArtSound | F Major | 1 | 7B | 120 BPM | ||
| Farewell at the Coast | Ingo Ludwig Frenzel | E Minor | 1 | 9A | 47 BPM | ||
| Shampooing révélateur, pt. 2 | Khaled Mouzanar | G Minor | 2 | 6A | 103 BPM | ||
| The Father | Johan Söderqvist | E Minor | 1 | 9A | 91 BPM | ||
| Main Title | Clint Eastwood | D♭ Major | 0 | 3B | 89 BPM | ||
| La Cavalera | Elliot Goldenthal | B♭ Major | 5 | 6B | 115 BPM | ||
| Modigliani | Guy Farley | G Minor | 3 | 6A | 101 BPM | ||
| At Home | Jan A.P. Kaczmarek | A Minor | 0 | 8A | 126 BPM | ||
| Pickled Heads - Instrumental | Cesare Andrea Bixio, Elliot Goldenthal, Steven Mercurio, Jonathan Sheffer, London Metropolitan Orchestra, The Mask Orchestra | E Minor | 5 | 9A | 130 BPM | ||
| Sunlit Kiss | Rael Jones, Anthony Weeden | C Major | 0 | 8B | 76 BPM | ||
| All Boundaries Are Conventions | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 1 | 8B | 55 BPM | ||
| 24 Préludes, OP. 28 NO. 4 in E Minor | David Arch | E Minor | 0 | 9A | 132 BPM | ||
| El olivo, Pt. 3 | Pascal Gaigne | F Major | 1 | 7B | 116 BPM | ||
| Triangle | Jan A.P. Kaczmarek | G Minor | 2 | 6A | 71 BPM | ||
| Creating "Governing Dynamics" | James Horner | C Major | 1 | 8B | 118 BPM | ||
| Cloud Atlas Opening Title | Tom Tykwer, Johnny Klimek, Reinhold Heil | D Minor | 3 | 7A | 140 BPM | ||
| Love Dance | Cirque du Soleil | E Minor | 2 | 9A | 139 BPM | ||
| The Conversation (Main Theme from "The Conversation") | David Shire | D Minor | 1 | 7A | 73 BPM | ||
| Hable con ella - From "Hable con ella" | Alberto Iglesias | A Minor | 2 | 8A | 107 BPM | ||
| Melt Into Matter | Éric Serra | G Minor | 3 | 6A | 100 BPM | ||
| As a Consequence of Zefir | Junkie XL | B♭ Minor | 3 | 3A | 120 BPM | ||
| Jusqu'au bout | Armand Amar | G Minor | 1 | 6A | 180 BPM | ||
| Zeyn - From "Capharnaüm" Original Motion Picture Soundtrack | Khaled Mouzanar | A♭ Major | 2 | 4B | 110 BPM | ||
| The Return | Mark Orton | B♭ Major | 0 | 6B | 141 BPM | ||
| Akta | Éric Serra | D Major | 6 | 10B | 100 BPM |