The Jeff Golub Band's 'The Thrill Is Gone' had a release date set for June 28, 2011. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "The Three Kings". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. In terms of popularity, The Thrill Is Gone is currently below average in popularity. Although the overall vibe is very danceable, it does project more negative sounds.
With The Thrill Is Gone by The Jeff Golub Band having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Morning, Noon & Night | Bob James | C Major | 1 | 8B | 81 BPM | ||
| Grass Roots | Joyce Cooling | D Major | 5 | 10B | 115 BPM | ||
| Three Day Weekend | Evan Marks | G Major | 7 | 9B | 90 BPM | ||
| Jazz Party | Jeffery Smith | B♭ Minor | 5 | 3A | 88 BPM | ||
| Peculiar Situation | Earl Klugh | A Minor | 6 | 8A | 94 BPM | ||
| South Of Market | Joyce Cooling | C Major | 6 | 8B | 110 BPM | ||
| THE BLUES HOUSE | Marco Tansini | D Minor | 4 | 7A | 132 BPM | ||
| Black River | Keiko Matsui | E Minor | 7 | 9A | 111 BPM | ||
| Back At Cha | Eric Darius | F Minor | 7 | 4A | 94 BPM | ||
| Cookie Strut | Four80East | F Minor | 7 | 4A | 98 BPM | ||
| Waterline | Four80East | D♭ Major | 6 | 3B | 94 BPM | ||
| Iluminaciones eternas | Piolet electrónico | C Minor | 2 | 5A | 128 BPM | ||
| Talk of the Town | Darren Rahn | G Major | 8 | 9B | 102 BPM | ||
| Ooh Yeah | Lee Ritenour | E Minor | 6 | 9A | 88 BPM | ||
| Harlem On My Mind | Alex Bugnon | F Major | 7 | 7B | 93 BPM | ||
| Big Ol' Shoes | Kirk Whalum | F Minor | 7 | 4A | 200 BPM | ||
| Blues Force | Fourplay | A Minor | 4 | 8A | 134 BPM | ||
| I Cant Help Myself | Chris Standring | B Major | 5 | 1B | 95 BPM | ||
| Third Wish | Joyce Cooling | D♭ Major | 8 | 3B | 105 BPM | ||
| De Nada | Roberto Restuccia | A Minor | 7 | 8A | 110 BPM | ||
| You're Mine | Julian Vaughn | D Minor | 6 | 7A | 82 BPM | ||
| Love You Too | Dee Brown | G Major | 8 | 9B | 110 BPM | ||
| Love and Paragraphs | Chris Standring | G Major | 6 | 9B | 120 BPM | ||
| Passion Play | Andy Snitzer | B Minor | 5 | 10A | 138 BPM | ||
| Connected | Mark Etheredge, Paul Brown | C Major | 6 | 8B | 104 BPM |