"Echoes" by Tim Fain had its release date on May 20, 2023. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Tim Fain's "Munch (Original Motion Picture Soundtrack)" album is number 12 out of 22. Echoes is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Echoes by Tim Fain to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bark'n'bass at Montparnasse | VITMAY | B♭ Major | 2 | 6B | 126 BPM | ||
| At Last, Sunrise | Maree Docia | B Major | 0 | 1B | 138 BPM | ||
| Andrei | Martin Phipps, BBC National Orchestra Of Wales | C Major | 1 | 8B | 77 BPM | ||
| Forte | Zoë Keating | B♭ Major | 1 | 6B | 117 BPM | ||
| Converging Paths | Tim Fain | A Major | 4 | 11B | 92 BPM | ||
| saman - string quartet version | Ólafur Arnalds | C Minor | 2 | 5A | 88 BPM | ||
| 3 Old Viennese Dances - Liebeslied | Tim Fain, Robert Koenig | D Minor | 1 | 7A | 136 BPM | ||
| Electricity | Arthur Sharpe | F♯ Major | 2 | 2B | 87 BPM | ||
| Gypsy Moth | Andrew Bird | D Minor | 3 | 7A | 134 BPM | ||
| First Love | Tim Fain | F Major | 1 | 7B | 140 BPM | ||
| Falling Upward | Chris Lippincott | B♭ Major | 2 | 6B | 126 BPM | ||
| Continuum I | Jane Antonia Cornish, Decoda | F♯ Minor | 1 | 11A | 90 BPM | ||
| Resilience | Music Within | A Major | 2 | 11B | 96 BPM | ||
| Where Lost Boys Go | Dan Romer, Benh Zeitlin | A Major | 1 | 11B | 140 BPM | ||
| Eyes Shut - Nocturne in C Minor | Ólafur Arnalds, Alice Sara Ott | C Minor | 0 | 5A | 107 BPM | ||
| Double Concerto for Violin, Cello and Orchestra: Duet No. 4 | Philip Glass, Wendy Sutter, Tim Fain, Jurjen Hempel, The Hague Philharmonic | B Major | 8 | 1B | 120 BPM | ||
| Sprawl II (Mountains Beyond Mountains) | Midnite String Quartet | A♭ Major | 3 | 4B | 90 BPM | ||
| It Ain't Necessarily So | Tim Fain, Robert Koenig | D Minor | 1 | 7A | 136 BPM | ||
| There, Before Me | Pêtr Aleksänder | D Minor | 0 | 7A | 71 BPM | ||
| Aftermath | Kaitlyn Raitz | B♭ Major | 2 | 6B | 126 BPM | ||
| The Lonely Fools | Robert Gromotka, Jonas Hain | B♭ Major | 2 | 6B | 126 BPM | ||
| Broken People (String Quintet Version) | Kerry Muzzey, Andrew Skeet, The Chamber Orchestra Of London | B♭ Major | 2 | 6B | 111 BPM | ||
| Colette | Thomas Adès | D♭ Major | 0 | 3B | 131 BPM | ||
| Earth Song | Frank Ticheli, Seraphic Fire, Patrick Dupre Quigley | F Major | 1 | 7B | 141 BPM | ||
| John Madison Knight | Nicholas Britell | F♯ Minor | 0 | 11A | 76 BPM |