"Agguato a Dallas" by Luis Bacalov had its release date on 1970. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Agguato a Dallas's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Luis Bacalov's "Il prezzo del potere (Original Motion Picture Soundtrack)" album is number 3 out of 11. On top of that, Italy appears to be the country where this track was created. Agguato a Dallas is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Agguato a Dallas by Luis Bacalov to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jay's Theme | Jed Kurzel, London Contemporary Orchestra | C Minor | 0 | 5A | 170 BPM | ||
| Bistro Fada | Stephane Wrembel | E Minor | 4 | 9A | 99 BPM | ||
| You Only Live Twice - Instrumental | John Barry | C Major | 3 | 8B | 91 BPM | ||
| Amapola | Solisti e Orchestre del Cinema Italiano | E Major | 1 | 12B | 84 BPM | ||
| Lo Chiamavano King (His Name Is King) | Luis Bacalov, Edda Dell'Orso | A Minor | 7 | 8A | 90 BPM | ||
| Clayton duello | Nico Fidenco | G Minor | 1 | 6A | 92 BPM | ||
| Tenderness | Franco Piersanti, Accademia Musicale Italiana | D Major | 3 | 10B | 83 BPM | ||
| The Straight Story: Rose's Theme - From "The Straight Story" | Angelo Badalamenti | F Major | 1 | 7B | 119 BPM | ||
| Nel cimitero di Tucson - Version 2 | Gianfranco & Gianpiero Reverberi | B♭ Minor | 3 | 3A | 113 BPM | ||
| Il paese dietro i lenzuoli | Giancarlo Bigazzi, Marco Falagiani | B Major | 4 | 1B | 57 BPM | ||
| Pistoleros in agguato II | Gianni Ferrio | D Minor | 4 | 7A | 130 BPM | ||
| Fiore de sale (with Ornella Vanoni & Luis Bacalov) | Claudio Baglioni, Ornella Vanoni, Luis Bacalov | E Minor | 3 | 9A | 76 BPM | ||
| Fino all'ultimo colpo | Riz Ortolani | A Minor | 3 | 8A | 151 BPM | ||
| Hable con ella - From "Hable con ella" | Alberto Iglesias | A Minor | 2 | 8A | 107 BPM | ||
| C'Eravamo Tanto Amati: Strano Interludio | Armando Trovajoli | B Minor | 1 | 10A | 176 BPM | ||
| Who Draws First | Stephan Sechi | C Major | 5 | 8B | 110 BPM | ||
| Run Fay Run | Isaac Hayes | C Minor | 8 | 5A | 119 BPM | ||
| The Ecstasy of Gold - L'Estasi Dell'oro | Ennio Morricone, Edda Dell'Orso | C Major | 7 | 8B | 100 BPM | ||
| More - Modelle in blu | Riz Ortolani, Nino Oliviero | B Minor | 4 | 10A | 78 BPM | ||
| Seven Men - Main Titles | Francesco De Masi | E Minor | 5 | 9A | 99 BPM | ||
| Per un pugno di dollari - dal film 'per un pugno di dollari' | Western Orchestra | D Minor | 3 | 7A | 114 BPM | ||
| Le vent, le cri | Rob Starr & The Hollywood Singers and Orchestra | D Major | 5 | 10B | 83 BPM | ||
| Sicilian Pastorale | Nino Rota | F Minor | 1 | 4A | 61 BPM | ||
| Long days of Vengeance (From "Long days of Vengeance") | Armando Trovajoli | C Major | 5 | 8B | 174 BPM | ||
| Blue Morgan (End Credits) - From "Million Dollar Baby" | Clint Eastwood | C Major | 0 | 8B | 72 BPM |