Charlotte Rae's ' "The Sea-Gull and the Ea-Gull" was released on its scheduled release date, November 14, 2006. With This song being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 12 in the song's album "Songs I Taught My Mother". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. The Sea-Gull and the Ea-Gull is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With The Sea-Gull and the Ea-Gull by Charlotte Rae having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Frustration (1946) | Valaida Snow | A Minor | 2 | 8A | 74 BPM | ||
| H.M.S. Pinafore, Act I: I'm Called Little Buttercup | Gilbert & Sullivan Society of Houston | C Major | 2 | 8B | 93 BPM | ||
| The Ballad of the Long-Legged Bait | Richard Burton | D♭ Major | 1 | 3B | 90 BPM | ||
| Sometimes I Feel Like A Motherless Child | Paul Robeson | A Minor | 1 | 8A | 65 BPM | ||
| She's A Woman | Brent Carver | C Major | 1 | 8B | 81 BPM | ||
| Intro to The Haunted and the Hunters | Alfred Hitchcock | A Minor | 0 | 8A | 107 BPM | ||
| The Wild West | Tom Lehrer | B Major | 3 | 1B | 122 BPM | ||
| Ol' Man River (from Show Boat) - 1985 Digital Remaster | Paul Robeson | B♭ Major | 2 | 6B | 126 BPM | ||
| Adelaides Lament - Remastered 2000 | Vivian Blaine | G Minor | 2 | 6A | 82 BPM | ||
| Die Dreigroschenoper: Anstatt-daß-Song | Kurt Weill, Mario Adorf, Helga Dernesch, Rias-Sinfonietta Berlin, John Mauceri | D Minor | 1 | 7A | 100 BPM | ||
| Pig No Pig | Sarah Lancashire, Reece Shearsmith, Ann Emery, Adrian Scarborough, Hollie Taylor | B♭ Major | 4 | 6B | 119 BPM | ||
| The Oldest Established Floating Crap Game in New York | Frank Sinatra (performer), Johnny Silver (performer), Stubby Kaye (performer) | G Major | 3 | 9B | 67 BPM | ||
| H.M.S. Pinafore, Act I: The Nightingale | Gilbert & Sullivan Society of Houston | A♭ Major | 1 | 4B | 89 BPM | ||
| Peter and the Wolf, Op. 67: V. Grandfather | Wiener Opernorchester | D♭ Major | 1 | 3B | 77 BPM | ||
| Trial by Jury: When I, Good Friends, Was Called to the Bar | Gilbert & Sullivan Society of Houston | G Major | 4 | 9B | 116 BPM | ||
| Chapter 21 - True West | Sam Shepard, Dean Cameron, Alfred Molina, Charlotte Rae, Francis Guinan | G Major | 1 | 9B | 84 BPM | ||
| A Bowler Hat | Isao Sato, Original Broadway Cast of Pacific Overtures | C Minor | 1 | 5A | 149 BPM | ||
| Bluebloods | Brent Carver, Anthony Crivello | E Major | 1 | 12B | 84 BPM | ||
| Nobody | Bert Williams | F♯ Major | 1 | 2B | 77 BPM | ||
| One of the Boys | Lauren Bacall, Rex Everhart | A♭ Major | 6 | 4B | 139 BPM | ||
| The Rhythm of Life | Fred Evans, Roger Finch, Ken Walsh, The Worshippers | A Minor | 7 | 8A | 92 BPM | ||
| Round and Round | Rita Gardner | F Minor | 4 | 4A | 128 BPM | ||
| Chapter 20 - True West | Sam Shepard, Dean Cameron, Alfred Molina, Charlotte Rae, Francis Guinan | G Major | 4 | 9B | 141 BPM | ||
| One Touch Of Venus: Speak Low | Kurt Weill, Anne Sofie von Otter, NDR Elbphilharmonie Orchester, John Eliot Gardiner | C Major | 0 | 8B | 96 BPM | ||
| If My Friends Could See Me Now - Live | Shirley Maclaine | A♭ Major | 7 | 4B | 131 BPM |