Masaru Yokoyama's ' "Fate/Apocrypha" was released on its scheduled release date, 2017. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 59 in Fate/Apocrypha Original Soundtrack by Masaru Yokoyama. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. Fate/Apocrypha is average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Fate/Apocrypha by Masaru Yokoyama is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dragon Smasher | Evan Call | B Minor | 2 | 10A | 110 BPM | ||
| TRAITOR | KOHTA YAMAMOTO | C Minor | 3 | 5A | 128 BPM | ||
| 火事場の底力 | Kohei Tanaka | A Minor | 3 | 8A | 114 BPM | ||
| Lightning in the Moon | Hideakira Kimura | G Major | 7 | 9B | 143 BPM | ||
| Wonderland Trials | Chamber Chu | D♭ Minor | 5 | 12A | 120 BPM | ||
| 痛み | Hiroaki Tsutsumi | D♭ Minor | 4 | 12A | 150 BPM | ||
| Asticassia | Takashi Ohmama | E Major | 3 | 12B | 89 BPM | ||
| Last Breath | J.T. Peterson | F♯ Major | 5 | 2B | 113 BPM | ||
| Successor of Niten Ichiryu | 篠田大介 | C Minor | 2 | 5A | 66 BPM | ||
| Celestial Intertwine | Elliot Hsu | D♭ Major | 6 | 3B | 90 BPM | ||
| Paradise Prairie | Chamber Chu, Playing For Formosa | F Major | 5 | 7B | 132 BPM | ||
| Misconduct | Kotaro Nakagawa | C Minor | 6 | 5A | 129 BPM | ||
| Re: Frieren beyond Journey's End (Way of Warriors) | 赤い神Enryu | E Minor | 9 | 9A | 144 BPM | ||
| ほんとに、愛してるよ | 藤澤慶昌 | F Major | 3 | 7B | 59 BPM | ||
| 領域展開への対抗手段 | Hiroaki Tsutsumi, Alisa Okehazama | B Minor | 10 | 10A | 135 BPM | ||
| Muichiro Demon Slayer Mark Mist Breathing: Sea Of Cloud and Haze (From 'Demon Slayer') - Epic Version | D.Meletis | A Minor | 8 | 8A | 143 BPM | ||
| 優勢 | 藤間 仁 | C Minor | 6 | 5A | 115 BPM | ||
| The One | KOHTA YAMAMOTO | G Major | 7 | 9B | 105 BPM | ||
| The Other Side of the Sea | KOHTA YAMAMOTO | G Major | 5 | 9B | 174 BPM | ||
| Trans-Am Raiser | Kenji Kawai | B Minor | 8 | 10A | 165 BPM | ||
| Unveil | Powerless | E Minor | 5 | 9A | 90 BPM | ||
| A Sword,No Words | Hideyuki Fukasawa | B Minor | 3 | 10A | 130 BPM | ||
| Spark from DISSIDIA FINAL FANTASY OPERA OMNIA | Takeharu Ishimoto | E Minor | 9 | 9A | 150 BPM | ||
| Knives and Shadows | Akira Senju | B♭ Major | 8 | 6B | 119 BPM | ||
| The Beginning of Our Story | Wuthering Waves, Weijun Chen | A♭ Major | 6 | 4B | 82 BPM |