On April 20, 1989, the song "Sugar-Baby" was released by Peter Kraus. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Sugar-Baby's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 10 in Cadillac Night by Peter Kraus. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Sugar-Baby's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Sugar-Baby by Peter Kraus is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Verlieben, Verloren, Vergessen, Verzeih'n | Peter Kraus | C Major | 8 | 8B | 142 BPM | ||
| Wir wollen niemals auseinandergehn | Heidi Brühl | B♭ Major | 4 | 6B | 86 BPM | ||
| Kriminal-Tango | Hazy Osterwald Sextett | F Minor | 4 | 4A | 123 BPM | ||
| Mit 17 Fängt Das Leben Erst An (Save The Last Dance For Me) | Ivo Robic | C Major | 6 | 8B | 90 BPM | ||
| Immer wenn ich Josy seh' | Peter Orloff | A Minor | 8 | 8A | 112 BPM | ||
| Lili Marleen | Lale Andersen | E♭ Major | 2 | 5B | 134 BPM | ||
| Fährt der alte Lord fort | Heinz Erhardt | C Major | 4 | 8B | 160 BPM | ||
| Noah | Bruce Low | D Major | 6 | 10B | 97 BPM | ||
| Ach, Marianne | Heinz Erhardt, Hans Joachim Kuhlenkampf, Wolf Albach-Retty | F♯ Major | 6 | 2B | 104 BPM | ||
| Kitty Cat | Peter Kraus | B♭ Major | 5 | 6B | 188 BPM | ||
| Marie, der letzte Tanz ist nur für dich - Neuaufnahme | Rex Gildo | A♭ Major | 8 | 4B | 132 BPM | ||
| Schuld war nur der Bossa Nova | Manuela | D♭ Major | 6 | 3B | 167 BPM | ||
| Muli-Song | Ivo Robic | A Major | 7 | 11B | 133 BPM | ||
| Patricia | Jörg Maria Berg | B♭ Major | 6 | 6B | 67 BPM | ||
| Emanuela | Peter Kraus | F♯ Major | 8 | 2B | 78 BPM | ||
| Sexy Hexy | Danny Mann | E♭ Major | 8 | 5B | 138 BPM | ||
| Ganz in weiß | Roy Black | A♭ Major | 5 | 4B | 120 BPM | ||
| Moonlight | Ted Herold | B♭ Major | 4 | 6B | 112 BPM | ||
| Das hab ich in Paris gelernt - Re-Recording | Chris Howland | D♭ Major | 4 | 3B | 139 BPM | ||
| Der Puppenspieler von Mexico | Roberto Blanco | A Minor | 7 | 8A | 90 BPM | ||
| Eine Mark für Charly | Wencke Myhre | B♭ Major | 8 | 6B | 112 BPM | ||
| Es gibt kein Bier auf Hawaii | Paul Kuhn | D♭ Major | 4 | 3B | 181 BPM | ||
| Auf Cuba sind die Mädchen braun | Jimmy Makulis | E♭ Major | 5 | 5B | 104 BPM | ||
| Lili Marleen - Remastered 2004 / 1962 Version | Lale Andersen | A Major | 4 | 11B | 84 BPM | ||
| Das Mädchen mit dem aufregenden Gang | Bill Ramsey | E♭ Major | 7 | 5B | 133 BPM |