"Things Are What They Used to Be" by Rolf Kühn had its release date on February 25, 1974. This song appears to be safe for all ages as it is not explicit. The song is number 4 out of 5 in Connection '74 by Rolf Kühn. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Things Are What They Used to Be is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Things Are What They Used to Be by Rolf Kühn is Larghetto (rather broadly), since this song has a tempo of 62 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| January | Marcin Wasilewski Trio | B Minor | 1 | 10A | 102 BPM | ||
| Life And Death | Avishai Cohen | A Minor | 1 | 8A | 107 BPM | ||
| Guidance | Newington Green | F Major | 1 | 7B | 127 BPM | ||
| Wedding March | Trio X of Sweden | C Major | 0 | 8B | 93 BPM | ||
| The Morning After the Night Before | Courtney Pine | C Minor | 1 | 5A | 128 BPM | ||
| Everytime around | Vernon Sanders | F Minor | 1 | 4A | 105 BPM | ||
| I Waited For You | Joe Lovano | F Major | 1 | 7B | 116 BPM | ||
| 'Tis Autumn | Red Garland Trio | C Minor | 2 | 5A | 72 BPM | ||
| The Fairies | Foster Davies | G Minor | 2 | 6A | 124 BPM | ||
| I Sing This Song for You | Juraj Stanik Trio | E♭ Major | 1 | 5B | 125 BPM | ||
| I Mean You | Eli Starr Trio | C Major | 1 | 8B | 105 BPM | ||
| Touch Her Soft Lips And Part | Peter Erskine, Palle Danielsson, John Taylor | F Major | 0 | 7B | 127 BPM | ||
| The Rose Tattoo | Harry Allen | F Minor | 2 | 4A | 113 BPM | ||
| To the Moon and Back | The City of Birches | E♭ Major | 2 | 5B | 120 BPM | ||
| Denzil's Best | Tommy Flanagan | A♭ Major | 3 | 4B | 149 BPM | ||
| Kühn: Clarinet Connetions: II. Contacts | Rolf Kühn, Sabine Meyer, Eddie Daniels, Peter Handsworth, Trio Di Clarone | F Minor | 6 | 4A | 127 BPM | ||
| Goor Katan | Anat Fort Trio, Anat Fort | F Minor | 2 | 4A | 60 BPM | ||
| Copley Plaza | Low City Trio | B Minor | 2 | 10A | 104 BPM | ||
| Madeleine | Jack Rosenbaum | C Minor | 2 | 5A | 75 BPM | ||
| One Step at a Time | Jan Harbeck Quartet | B♭ Minor | 2 | 3A | 70 BPM | ||
| This Morning | Thomas Agergaard, Lars Jansson, Lennart Ginman, Anders Kjellberg | A♭ Major | 3 | 4B | 121 BPM | ||
| Nardis | Jacob Karlzon Trio | C Major | 0 | 8B | 119 BPM | ||
| Dave | Orrin Evans | D♭ Major | 1 | 3B | 78 BPM | ||
| A Certain Sadness | Burt Mitchell | D♭ Major | 1 | 3B | 104 BPM | ||
| Nato Blues March | Rolf Kühn, Wolfgang Schlüter | F Minor | 4 | 4A | 138 BPM |