John Vanderslice's 'Oblivion' had a release date set for May 19, 2009. The duration of This song is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Oblivion's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Romanian Names". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Based on our statistics, Oblivion's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Oblivion by John Vanderslice having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Schopenhauer in Berlin | Emperor X | D Major | 8 | 10B | 122 BPM | ||
| How I Remember | David Bazan | A Minor | 5 | 8A | 128 BPM | ||
| A Girl In Port | Okkervil River | E Major | 4 | 12B | 147 BPM | ||
| Carparts | The Long Winters | A♭ Major | 9 | 4B | 107 BPM | ||
| The Men Are Called Horsemen There | Sunset Rubdown, Spencer Krug | F Major | 8 | 7B | 144 BPM | ||
| Boyscout'n | Menomena | B Minor | 6 | 10A | 122 BPM | ||
| Destroyer's the Temple | Destroyer | C Major | 7 | 8B | 109 BPM | ||
| The Trees Were Mistaken | Andrew Bird | C Major | 7 | 8B | 155 BPM | ||
| Bluetime | Say Hi | C Major | 2 | 8B | 172 BPM | ||
| Priests and Paramedics | Pedro The Lion | D Major | 6 | 10B | 100 BPM | ||
| Growing Up With GNR | Aqueduct | B Major | 4 | 1B | 142 BPM | ||
| All of Everything, Erased | Kevin Devine | D Minor | 3 | 7A | 103 BPM | ||
| Gold Mine Gutted | Bright Eyes | C Major | 7 | 8B | 150 BPM | ||
| Well-dressed | Hop Along | A♭ Major | 3 | 4B | 77 BPM | ||
| Rollerskating | Bright Eyes, Neva Dinova | C Major | 7 | 8B | 154 BPM | ||
| Inmates | The Good Life | D Major | 4 | 10B | 123 BPM | ||
| Kaite Come True | Son, Ambulance, Bright Eyes | G Major | 2 | 9B | 122 BPM | ||
| Bearing Witness | David Bazan | E♭ Major | 5 | 5B | 95 BPM | ||
| Tug on the Line | The Extra Lens | B Minor | 0 | 10A | 82 BPM | ||
| Hot Knives | Bright Eyes | A Major | 8 | 11B | 71 BPM | ||
| Farmer Chords | Benjamin Gibbard | E♭ Major | 5 | 5B | 142 BPM | ||
| Sovay | Andrew Bird | C Major | 4 | 8B | 108 BPM | ||
| Celebration Guns | Stars | C Major | 5 | 8B | 109 BPM | ||
| One of My Kind | Conor Oberst and the Mystic Valley Band | D♭ Major | 9 | 3B | 111 BPM | ||
| Well | Eef Barzelay, Clem Snide | F♯ Major | 4 | 2B | 82 BPM |