"Running for Shelter" by Jon Opstad had its release date on October 20, 2023. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Running for Shelter's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 42 in Bodies (Soundtrack from the Netflix Series) by Jon Opstad. Running for Shelter is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Running for Shelter by Jon Opstad is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| El viaje de Judy | Fernando Velázquez | D♭ Major | 4 | 3B | 96 BPM | ||
| The Earth Spins | Anne Nikitin, Jessica Jones | G Major | 2 | 9B | 94 BPM | ||
| F Minor | Tofiq Mikayilzade, Ted Boyarskiy | B Minor | 3 | 10A | 84 BPM | ||
| I Loved You First | Benjamin Wallfisch | G Major | 2 | 9B | 71 BPM | ||
| Discovering a Body | Jon Opstad | G Minor | 2 | 6A | 107 BPM | ||
| Across Borders | Jon Opstad | F Minor | 5 | 4A | 143 BPM | ||
| Farewell to Sanditon | Ruth Barrett, Jon Wygens, David Schweitzer | B Minor | 2 | 10A | 135 BPM | ||
| Credits | Isabella Summers | C Major | 2 | 8B | 69 BPM | ||
| A Living Light | Kyle Preston | A Minor | 0 | 8A | 85 BPM | ||
| Like a Valley With No Echo | Hammock | E Minor | 4 | 9A | 66 BPM | ||
| The Parting | David Norland | E Major | 5 | 12B | 180 BPM | ||
| Basslinefield | Velora | A♭ Major | 1 | 4B | 85 BPM | ||
| We Together | Sabir Babayev, Strelka | F Minor | 0 | 4A | 83 BPM | ||
| Jamie's Memory | Alex Heffes | D♭ Minor | 1 | 12A | 174 BPM | ||
| Polly Explores | Jon Opstad | D Major | 2 | 10B | 100 BPM | ||
| Monarch Butterfly | Jasha Klebe | D♭ Major | 2 | 3B | 99 BPM | ||
| Golden Glass | Johannes Lehniger, Lisa Morgenstern, Sebastian Damerius | A Minor | 1 | 8A | 120 BPM | ||
| Love Actually Opening - Extended Version | Craig Armstrong, Budapest Art Orchestra, Peter Pejtsik | C Major | 0 | 8B | 97 BPM | ||
| Armed Police | Jon Opstad | G Major | 1 | 9B | 100 BPM | ||
| The Thaw Theme | Lukasz Targosz | G Major | 3 | 9B | 65 BPM | ||
| Hombre Por Hombre | Hasta El Final | F♯ Minor | 0 | 11A | 110 BPM | ||
| Behind the Moon | Hampus Naeselius | B Major | 2 | 1B | 66 BPM | ||
| To The Afterlife | Andrew Lockington | G Major | 4 | 9B | 192 BPM | ||
| I'm Leaving | Steffen Thum | F Major | 1 | 7B | 66 BPM | ||
| Attack in the Camp | Jon Opstad | F Minor | 5 | 4A | 143 BPM |