"The World Calls To The Young" by Paul Haslinger had its release date on October 18, 2011. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. The World Calls To The Young's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "The Three Musketeers (Original Motion Picture Soundtrack)". In this album, this song's track order is #21. The World Calls To The Young is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The World Calls To The Young by Paul Haslinger having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Beginning Is the End | Ola Strandh | E Minor | 5 | 9A | 100 BPM | ||
| Kmc014 | Lovett | B Major | 4 | 1B | 96 BPM | ||
| G.A.R.M. | Sascha Dikiciyan | A Major | 2 | 11B | 124 BPM | ||
| A Political Sickness | Ryan Amon | D♭ Major | 7 | 3B | 100 BPM | ||
| Project Log | Lovett | D♭ Major | 1 | 3B | 66 BPM | ||
| Norah's Choice | Marco Beltrami, Brandon Roberts | A Minor | 2 | 8A | 105 BPM | ||
| Safehouse | Sascha Dikiciyan | F Major | 2 | 7B | 74 BPM | ||
| Work The Problem | Harry Gregson-Williams | D♭ Major | 1 | 3B | 132 BPM | ||
| Mind Games | Revolt Production Music | C Minor | 4 | 5A | 120 BPM | ||
| Match Point | Danny Cocke, Paul Haslinger | D♭ Major | 7 | 3B | 174 BPM | ||
| Survive | Jon Opstad, Paul Haslinger | E♭ Major | 1 | 5B | 74 BPM | ||
| Wear Your Seat Belt | Cliff Martinez | F♯ Minor | 2 | 11A | 180 BPM | ||
| Corrupted Light | David Buckley | F♯ Major | 2 | 2B | 100 BPM | ||
| 2.0_1-s4ve-the-w0rld.act | Mac Quayle | A♭ Major | 6 | 4B | 118 BPM | ||
| Possibilities Are Endless | Atticus Ross, Leopold Ross, Claudia Sarne | F Major | 2 | 7B | 68 BPM | ||
| The Rhodes | Brendan Angelides, Eskmo | A Minor | 2 | 8A | 135 BPM | ||
| Fatal Word | Lavinia Concia | E♭ Major | 2 | 5B | 120 BPM | ||
| The First Accident | James Newton Howard | B♭ Minor | 10 | 3A | 89 BPM | ||
| Ascension of the Iron Skies | Adrian Valkor | F♯ Major | 2 | 2B | 100 BPM | ||
| Leaving The Silo | Atli Örvarsson | D♭ Major | 5 | 3B | 120 BPM | ||
| They Didn't Touch Me | Cliff Martinez | B♭ Minor | 2 | 3A | 104 BPM | ||
| 1.0_3-fucksociety.mp3 | Mac Quayle | D♭ Major | 4 | 3B | 112 BPM | ||
| 1.4_2-impenetrable.sd2 | Mac Quayle | A♭ Major | 9 | 4B | 94 BPM | ||
| It Followed Me Home | Mel Wesson, Nine One One | D♭ Major | 4 | 3B | 120 BPM | ||
| I Thought They Came to Rescue Us | Jon Ekstrand | D♭ Major | 4 | 3B | 142 BPM |